Come and Go (1965)
by Samuel Beckett
(Summary)
Summary of Come and Go (1965) by Samuel
Beckett
Come and Go is one of Samuel Beckett’s shortest and
most minimalistic plays, yet it is dense with suggestion, silence, and
emotional tension. The entire play lasts barely a few minutes and consists of
three elderly women—Flo, Vi, and Ru—who sit side by side on a narrow bench.
They are dressed in long coats and wear hats, suggesting age, formality, and
perhaps emotional restraint. The setting is bare and undefined, a typical
Beckettian space stripped of all unnecessary detail.
At the beginning of the play, the three women sit
silently. This silence establishes the tone of emotional emptiness and distance
that characterizes the play. Flo then gently asks Vi to step aside for a
moment. Vi leaves the bench, moving out of earshot. Once Vi is gone, Flo
quietly reveals to Ru that Vi is suffering from a serious, unnamed illness. The
exact nature of the illness is never disclosed, but the tone implies something
grave, possibly terminal.
After this brief exchange, Flo calls Vi back to her
seat and asks Ru to step away. With Ru absent, Flo tells Vi that Ru too is
suffering from a similar serious condition. Again, the information is vague,
but the implication is ominous. Finally, Vi returns, and Flo asks her to leave
so that Vi can speak privately with Ru. Vi then tells Ru that Flo is also
gravely ill.
When all three women are once again seated together, no
one openly acknowledges what has been said. There is no confrontation, no
discussion, and no expression of sympathy or fear. Instead, the women simply
sit in silence, holding hands briefly at the end. This gesture is small but
significant—it suggests a momentary connection or shared understanding, even
though nothing is spoken aloud.
The play ends as quietly as it begins, with no
resolution, explanation, or emotional outburst. The audience is left to reflect
on what has occurred beneath the surface.
Interpretive Overview
Though extremely brief, Come and Go explores themes of
mortality, secrecy, isolation, and human fragility. Each woman knows something
terrible about the others, yet none confronts the truth directly. This creates
a sense of shared but unspoken suffering.
The repeated pattern—one woman leaving, another
receiving bad news—emphasizes cyclicality, a common feature in Beckett’s work.
The title Come and Go reflects not only the physical movement of the characters
but also the fleeting nature of life, health, and certainty.
Silence plays a crucial role. What is not said is more
powerful than what is spoken. The play suggests that human beings often avoid
direct confrontation with suffering and death, choosing instead quiet
endurance.
The final hand-holding gesture can be interpreted
ambiguously. It may suggest solidarity, resignation, or a fragile attempt at
comfort in the face of inevitable decline.
Concluding Note
Come and Go exemplifies Beckett’s minimalist dramatic
style, where brevity, silence, and implication replace action and dialogue.
Despite its short length, the play leaves a lasting emotional impact, inviting
the audience to contemplate aging, illness, and the quiet loneliness that often
accompanies them.

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