The Two Executioners by
Fernando Arrabal - KEY FACTS
KEY FACTS
|
Particulars |
Details |
|
Full Title |
The Two
Executioners (Los dos verdugos / Les Deux Bourreaux) |
|
Author |
Fernando Arrabal |
|
Type of Work |
One-act play |
|
Genre |
Absurdist Drama,
Melodrama, Political and Experimental Theatre |
|
Language |
Originally written
in Spanish; also published in French and translated into English |
|
Time and Place
Written |
Written in 1956 at
Foch Hospital, Suresnes, near Paris, France |
|
Date of First
Publication |
1958 (French
publication); English translation published in 1960 |
|
Publisher |
Éditions Julliard
(French edition); Grove Press (English edition) |
|
Tone |
Grotesque,
horrifying, tragic, disturbing, satirical and oppressive |
|
Setting (Time) |
An unspecified
period resembling the political atmosphere of Francoist Spain in the
twentieth century |
|
Setting (Place) |
A dark, enclosed
room with a door leading to the street and another leading to the father's
torture cell |
|
Protagonist |
Mauricio, the
rebellious son who opposes his mother's cruelty and defends his father |
|
Major Conflict |
The conflict
between Mauricio's love for his father and his mother's blind obedience to
authority, resulting in a struggle between individual conscience and
oppressive power |
|
Rising Action |
The mother arrives
and reveals her involvement in her husband's arrest and torture. Mauricio
becomes increasingly disturbed by her cruelty and opposes her actions, while
Benito supports his mother. |
|
Climax |
Mauricio's
resistance reaches its decisive point as he confronts his mother's actions
and the suffering inflicted upon his father. |
|
Falling Action |
Under pressure
from his mother and brother, Mauricio gradually gives up his resistance and
is persuaded to seek reconciliation with his mother. |
|
Themes |
Political
oppression, authoritarianism, blind obedience, family conflict, betrayal,
violence, injustice, psychological torture, loss of freedom and destruction
of humanity |
|
Motifs |
Fear, torture,
suffering, submission, rebellion, guilt, family loyalty and psychological
manipulation |
|
Symbols |
The two
executioners symbolise oppressive authority and organised violence; the
mother represents fanaticism and authoritarian obedience; Mauricio represents
resistance; Benito represents submission; the father represents the victim of
political persecution. |
|
Foreshadowing |
The executioners'
presence, the dark atmosphere, the mother's suspicious attitude and the
reference to the father's torture create an expectation of suffering and
tragedy. The growing disagreement between the two brothers also anticipates
Mauricio's eventual surrender. |
Important
Clarification About the Characters
The play has five
principal character roles:
- Francisca: The mother.
- Benito: The obedient and
submissive son.
- Mauricio: The rebellious son who
opposes his mother's cruelty.
- Juan: The father who is
imprisoned and tortured.
- The Two Executioners: The
anonymous agents who carry out the torture.
Important: The
correct names of the sons are Benito and Mauricio, not Paco. Mauricio is the
central rebellious character. The ending is particularly significant because he
eventually asks his mother for forgiveness and embraces her, while Benito
encourages reconciliation.

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