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Fando and Lis (Fando et Lis) — 1955 by Fernando Arrabal: Type of Work

 

Fando and Lis (Fando et Lis) — 1955 by Fernando Arrabal: Type of Work

Fando and Lis (Fando et Lis), written by Fernando Arrabal in 1955, is a one-act play belonging to the Theatre of the Absurd. It is an experimental and unconventional dramatic work in which the events do not follow the orderly structure normally associated with traditional drama. The play combines elements of tragedy, grotesque comedy, surrealism, fantasy, and dark humour.

The play is essentially a tragic journey centred on Fando and Lis, who travel toward the mysterious city of Tar. Their journey is presented through fragmented episodes, repeated conversations, memories, strange encounters, and sudden changes in mood. Instead of developing through a straightforward sequence of events, the action often moves in circles, creating a sense of uncertainty and repetition.

As a work of the Theatre of the Absurd, Fando and Lis does not depend upon a conventional plot with a clear beginning, development, climax, and resolution. The characters frequently engage in conversations that seem disconnected or repetitive, while their actions can appear irrational and disturbing. The mysterious destination of Tar remains largely unattainable, and the journey itself becomes more important than any conventional achievement.

The play also has strong grotesque and tragicomic qualities. Moments of tenderness between Fando and Lis can suddenly become moments of cruelty, while apparently comic situations may contain an underlying sense of pain and despair. Arrabal deliberately places innocence, violence, humour, fear, love, and death close together.

The work can also be described as surrealistic and symbolic in its dramatic presentation. The journey, the cart, the mysterious city of Tar, the fragmented memories, and the unusual encounters contribute to an atmosphere that resembles a disturbing dream. The play does not always explain these elements in a conventional manner, allowing them to remain mysterious.

In terms of dramatic form, Fando and Lis is therefore an experimental absurdist play with tragic, grotesque, surreal, and poetic elements. It rejects many traditional conventions of plot and characterization and presents instead a strange journey in which ordinary reality and dreamlike experiences continually overlap. Through this unusual form, Arrabal creates a theatrical world that is both disturbing and strangely comic, making Fando and Lis an important early work associated with the Theatre of the Absurd.

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