Love's Exchange by John Donne (Poem, Summary, Paraphrase, Analysis & Questions)

 

Love's Exchange

by John Donne

(Poem, Summary, Paraphrase, Analysis & Questions) 

Love's Exchange

Love, any devil else but you

Would for a given soul give something too.

At court your fellows every day

Give th' art of rhyming, huntsmanship, or play,

For them which were their own before;

Only I have nothing, which gave more.

But you delight to have me still,

Not for my good, but your ill.

As the wine keeps not with the mother,

As match'd horse are badder than one,

As you run one, yet strive to run another,

As a worse wife is known

By the better man, if he hear her name,

So by my love is my love lame.

For though th' inchanting beauty and her flocks,

And her Ambrosian locks,

Of which Cupid would try

His useless archery,

Did tempt, till he was closely caught,

I had no power to shun nor will to fly.

But that was not the worst of ill-fate brought.

Love left me, yet I loved him more and more.

At my cost I have found he that trusts to hope,

The rope breaks under him, and he doth fall

As he that slides down from the rope of slope,

When his own weight is all

That makes him fall, he finds his mischief so.

Thus fell I then: and thus do I fall now.

For then you left me; and, now you leave me so.

I can look up no more; your light doth blind.

I can look down no more, for now I find

Hell, in your absence, where before was Heaven.

I, like a ship in storms, still strive and strive;

Yet if the shore I gain, I still must live

With the same tempest, love; nor can I gain

Anything by being wreck'd, but pain.

You, that are the world's soul, still do dwell

In all my thoughts and dreams.

Your force it is that holds this empty shell

Of me together; else it seems

I should fall by piecemeal into dust,

And perish as things unblest.

Love, let me go; take back thy gifts and might.

For to possess me thus, and to be absent quite,

Is to make Hell a Heaven, and Heaven Hell.

Since I have no reward, let me be quit.

Let me forget thee, and but to forget

I will give all that I have, all that I yet

Shall ever get: Thou art so hard to quit.

 

Summary

Stanza 1:

The speaker begins by complaining to Love, which he personifies. He says that any other devil would at least offer something in return for a soul. In contrast, Love takes everything from him but gives nothing back. He observes that in royal courts, people exchange talents like poetry, hunting, or playing instruments—things they already possess—for favor. But he has given everything to Love and received nothing. Love seems to take pleasure in possessing him not to benefit him but to cause him harm.

 

Stanza 2:

He uses several comparisons to show how Love creates imbalance and pain. Just like:

Wine doesn’t mix well with its sediment (mother),

Two horses yoked together may perform worse than a single one,

A person tries to run in two directions at once,

A bad wife becomes more clearly bad when she is compared to a better husband,

—so, too, his own love becomes distorted and weak because of Love’s unfaithfulness. He suggests that his affection is damaged by the very thing he cherishes.

 

Stanza 3:

Despite Love’s cruelty, he admits he was drawn by a beautiful woman’s looks—her enchanting appearance, her lovely hair. Even Cupid, the god of love, was tempted and trapped. The speaker says he had no power to resist and didn’t even want to escape. But that wasn’t the worst part. The real pain was that even after Love left him, he continued to love even more deeply.

 

Stanza 4:

The speaker reflects on his mistake: he trusted hope, but it failed him. He compares this to someone falling from a rope because of his own weight—the very thing he depends on causes his downfall. In the same way, his love brings about his suffering. He fell then (when Love first abandoned him), and he is still falling now. He can’t look up to Love, because Love’s brightness blinds him, and he can’t look down because he sees Hell in Love’s absence, where once there was Heaven.

 

Stanza 5:

He compares himself to a ship caught in a storm, always struggling but never escaping the danger. Even if he reaches the shore, the storm—Love—still continues. He realizes there is no relief or gain, even in wreckage, only more pain. Love is like the soul that keeps him alive, holding his empty body together. Without Love, he would fall apart into dust and nothingness.

 

Stanza 6:

At the end, the speaker pleads with Love to let him go. He asks for his freedom and offers to give back all the strength and gifts Love had given him. Being possessed by Love yet left alone feels like Hell disguised as Heaven, and vice versa. If there is no reward for his love, he wants to be released. He begs to be allowed to forget Love, and says he’s willing to give everything he has and will ever have—just for the ability to forget. But Love is so hard to let go of.

 

Line-by-line Paraphrase

1. Love, any devil else but you

Love, any other devil except you

 

2. Would for a given soul give something too.

Would at least offer something in return for a soul.

 

3. At court your fellows every day

At the royal court, others like you regularly

 

4. Give th’ art of rhyming, huntsmanship, or play,

Trade skills like poetry, hunting, or acting,

 

5. For them which were their own before;

Even for things people already had by nature;

 

6. Only I have nothing, which gave more.

Only I, who gave more than I had, now have nothing.

 

7. But you delight to have me still,

But you enjoy keeping me around,

 

8. Not for my good, but your ill.

Not to help me, but to hurt me.

 

9. As the wine keeps not with the mother,

Just like wine separates from the sediment,

 

10. As match'd horse are badder than one,

Like two horses together often perform worse than one alone,

 

11. As you run one, yet strive to run another,

Like trying to run in two directions at once,

 

12. As a worse wife is known

As a bad wife becomes more obvious

 

13. By the better man, if he hear her name,

When her good husband is compared to her,

 

14. So by my love is my love lame.

In the same way, my love is weak and flawed because of the love I feel.

 

15. For though th’ inchanting beauty and her flocks,

Even though her magical beauty and admirers,

 

16. And her Ambrosian locks,

And her heavenly hair,

 

17. Of which Cupid would try

Which even Cupid would attempt to use

 

18. His useless archery,

Though his arrows are powerless now,

 

19. Did tempt, till he was closely caught,

They tempted him until even he was trapped,

 

20. I had no power to shun nor will to fly.

I had neither the strength nor the desire to run away.

 

21. But that was not the worst of ill-fate brought.

But that wasn’t the worst that fate did to me.

 

22. Love left me, yet I loved him more and more.

Even after Love abandoned me, I kept loving him even more.

 

23. At my cost I have found he that trusts to hope,

I painfully learned that anyone who relies on hope

 

24. The rope breaks under him, and he doth fall

Will fall when the rope he depends on breaks.

 

25. As he that slides down from the rope of slope,

Just like someone who slides down a sloped rope,

 

26. When his own weight is all

And his own weight causes him to fall,

 

27. That makes him fall, he finds his mischief so.

He realizes the fall is his own doing.

 

28. Thus fell I then: and thus do I fall now.

That’s how I fell then—and that’s how I keep falling now.

 

29. For then you left me; and, now you leave me so.

Because you left me then, and now you leave me again.

 

30. I can look up no more; your light doth blind.

I can’t look up to you anymore—your brightness blinds me.

 

31. I can look down no more, for now I find

I can’t look down either, because now I see

 

32. Hell, in your absence, where before was Heaven.

Hell in the place where your presence used to be Heaven.

 

33. I, like a ship in storms, still strive and strive;

I keep struggling like a ship caught in a storm;

 

34. Yet if the shore I gain, I still must live

Even if I reach land, I must still live

 

35. With the same tempest, love; nor can I gain

With the same storm called Love; I can’t win anything

 

36. Anything by being wreck'd, but pain.

Even by being wrecked, I only get pain.

 

37. You, that are the world's soul, still do dwell

You, the soul of the world, still live on

 

38. In all my thoughts and dreams.

Inside all my thoughts and dreams.

 

39. Your force it is that holds this empty shell

It’s your power that holds my lifeless body together,

 

40. Of me together; else it seems

Otherwise, it feels like

 

41. I should fall by piecemeal into dust,

I would fall apart bit by bit into dust,

 

42. And perish as things unblest.

And die like cursed things do.

 

43. Love, let me go; take back thy gifts and might.

Love, let me go; take back all your powers and blessings.

 

44. For to possess me thus, and to be absent quite,

Because to own me completely, and yet be totally absent,

 

45. Is to make Hell a Heaven, and Heaven Hell.

Is to turn Hell into Heaven, and Heaven into Hell.

 

46. Since I have no reward, let me be quit.

If there’s no reward for me, then set me free.

 

47. Let me forget thee, and but to forget

Let me forget you, and for just that ability

 

48. I will give all that I have, all that I yet

I will give up everything I own, and everything I may ever own,

 

49. Shall ever get: Thou art so hard to quit.

Because you are so hard to leave behind.

 

Analysis in Detail

1. Theme: The Painful Bargain of Love

At the heart of “Love’s Exchange” lies the idea that romantic love is an unfair and even torturous exchange. Donne portrays love almost like a cruel merchant or devil: it takes much but gives nothing back. While others may benefit or grow from love, the speaker feels he has been emptied and diminished by it, losing everything and gaining only suffering. The central theme is the imbalance of love, where the speaker’s devotion is not rewarded, but instead leads to heartbreak and despair.

 

2. Tone: Bitter, Wounded, and Pleading

The tone throughout the poem is bitter and sorrowful, often tinged with irony. The speaker is clearly hurt, and his anguish is directed at Love itself, personified as a force that actively seeks his harm. However, despite the pain, the speaker continues to love. This contradiction creates a complex tone of resentful longing. He does not merely accuse Love but also begs to be released, showing his emotional exhaustion and desperation.

 

3. Structure and Form

The poem is written in five-line stanzas, primarily in rhymed couplets and tercets, with a varied meter. This irregular structure reflects the inner turmoil of the speaker. The inconsistent rhythm and unpredictable rhyme scheme mimic the chaotic emotional experience of unreciprocated love. Each stanza moves from concrete imagery to philosophical reflection, which is typical of Donne’s metaphysical style.

 

4. Personification of Love

Donne treats Love as a living being, possibly even a cruel deity or devil. He speaks to Love directly, blaming it for his suffering and demanding freedom from its power. This personification creates a dramatic effect and emphasizes the power imbalance between the lover and the force he cannot resist. Love becomes an oppressor, a captor who takes joy in the speaker’s torment.

 

5. Use of Metaphysical Conceits

Donne uses elaborate comparisons, known as conceits, to describe the experience of love:

Comparing himself to a man falling from a rope, where his own weight brings about his fall, illustrates how his love and devotion cause his downfall.

He also compares himself to a ship in a storm, trying to reach safety, only to find the storm continues even on land. This conveys the inescapability of his emotional pain.

The idea that Love’s absence turns Heaven into Hell highlights how completely Love governs his internal world.

These conceits are typical of Metaphysical poetry, which uses surprising, intellectual analogies to express emotional states.

 

6. Conflict Between Body and Soul

Donne subtly introduces the classic metaphysical conflict between spirit and flesh. He describes himself as an “empty shell” held together only by Love’s power. Without Love, he would fall apart into “dust.” This shows that Love has become the force that gives him identity and life, even though it causes him deep suffering. This duality—Love as both lifeline and executioner—is central to the poem’s emotional power.

 

7. The Paradox of Unrequited Love

A striking element in the poem is the paradox that the more Love hurts the speaker, the more he loves Love. He declares that even after being abandoned, he loved Love even more. This irrational, self-destructive loyalty reveals the depth of his emotional entanglement. The poem examines how love can become obsessive and compulsive, stripping away reason and self-preservation.

 

8. Final Plea: The Desire to Forget

In the final lines, the speaker begs for forgetfulness, offering to give up everything he has or will ever gain just to be free from Love’s grip. This shows how complete his suffering is. His last hope is not for love’s return, but for freedom through forgetfulness. Yet he admits that Love is nearly impossible to quit, reinforcing the idea that Love is a kind of addiction or bondage.

 

9. Spiritual Undertones

Although the poem is ostensibly about romantic or erotic love, there are hints of spiritual struggle. Words like "soul," “perish,” “Heaven,” and “Hell” suggest that the speaker’s anguish has existential dimensions. Love is not just a feeling but a cosmic force that determines the speaker’s very salvation or damnation. This dual reading—romantic and spiritual—is characteristic of Donne’s poetry.

 

10. Conclusion: A Tragic Exchange

In the end, the “exchange” of the title turns out to be entirely one-sided. The speaker has given his soul, his mind, his peace, and his identity to Love—and received nothing in return except pain. The poem doesn’t resolve with hope or healing, but with the recognition of love’s grip as both irresistible and destructive.

 

Possible Exam Questions

Who is the speaker addressing in the poem Love’s Exchange?

 

What does the speaker compare his fall in love to?

 

What literary device is used in the comparison of love to a devil?

 

What emotion dominates the speaker’s tone throughout the poem?

 

What does the speaker wish for in the final lines of the poem?

 

Which mythological figure is mentioned in the poem?

 

What does the speaker say Love turns Heaven into?

 

Which poetic movement does Love’s Exchange belong to?

 

What does the speaker compare himself to when he says he is held together only by Love?

 

What is meant by the term “Metaphysical conceit,” and how is it relevant to Donne’s poem?

 

Explain the title Love’s Exchange. What does the poet mean by it?

 

How does the speaker describe Love's treatment of him in the poem?

 

What is the significance of the metaphor “I, like a ship in storms…” in the poem?

 

Briefly explain how John Donne uses paradox in the poem.

 

Why does the speaker say he can neither look up nor down?

 

Comment on the speaker’s attitude towards hope and how it affects him.

 

Identify and explain one example of a Metaphysical conceit in the poem.

 

How does Donne contrast his experience of love with that of others in the court?

 

Describe the emotional transformation the speaker undergoes in the poem.

 

In what way does the poem reflect the pain of unrequited love?

 

Discuss Love’s Exchange as an example of Metaphysical poetry.

– Focus on conceits, tone, intellect, and emotional conflict.

 

Analyze the central theme of suffering and imbalance in Donne’s Love’s Exchange.

– Explore how the speaker’s devotion is unrewarded and leads to despair.

 

How does John Donne personify Love in Love’s Exchange? What effect does this have on the reader’s understanding of the speaker’s emotions?

 

Explore the use of paradox and contradiction in the poem. How do these elements enhance the complexity of the speaker’s emotional experience?

 

“Love, let me go” — Discuss the speaker’s final plea in the context of his entire emotional journey in the poem.

 

Examine the speaker’s psychological state in Love’s Exchange. How does Donne represent inner conflict and emotional exhaustion?

 

Compare Love’s Exchange with another poem by John Donne dealing with love (e.g., The Canonization or The Good-Morrow). Highlight similarities and differences in tone, treatment, and imagery.

 

Critically analyze the title Love’s Exchange. How is the idea of ‘exchange’ developed through imagery, metaphor, and narrative in the poem?

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