As
some vast Tropic tree, itself a wood (fragment)
by
Samuel Taylor Coleridge
(Poem, Summary & Analysis)
As
some vast Tropic tree, itself a wood (fragment)
As
some vast Tropic tree, itself a wood,
That
crests its Head with clouds, beneath the flood
Feeds
its deep roots, and with the bulging flank
Of
its wide base controls the fronting bank,
(By
the slant current's pressure scoop'd away
The
fronting bank becomes a foam-piled bay)
High
in the Fork the uncouth Idol knits
His
channel'd Brows; low murmurs stir by fits
And
dark below the horrid Faquir sits;
An
Horror from its broad Head's branchy wreath
Broods
o'er the rude Idolatry beneath—
Summary
Samuel
Taylor Coleridge compares a massive tropical tree to a self-contained
ecosystem, emphasizing its grandeur and power. The tree is described as
"vast," so large and intricate that it could be likened to a
"wood" by itself. Its towering head reaches the clouds, symbolizing
its immense height and presence, while its roots delve deeply into the waters
below, drawing sustenance from the flood.
The
tree's expansive base, described as "bulging," exerts control over
the riverbank in front of it. The flow of the slanting current gradually erodes
this bank, transforming it into a bay where foam collects. This imagery
highlights the tree's interaction with its environment, showcasing its
dominance and the dynamic forces at play.
High
in the tree's fork, an "uncouth Idol" is placed, characterized by
channelled brows that give it a mysterious and ominous appearance. Around this
idol, faint murmurs occasionally arise, adding a sense of unease. Below, a
"horrid Faquir" sits in contemplation or ritual, reinforcing the
eerie and foreboding atmosphere.
The
tree's broad canopy, adorned with a "branchy wreath," casts a shadow
of "Horror" over the scene of idol worship below. This dark and
brooding presence emphasizes the tension between nature's grandeur and the
unsettling idolatry occurring beneath its branches. The fragment concludes with
an air of mystery, awe, and unease, blending natural and supernatural elements
seamlessly.
Analysis
Theme
and Meaning
The
poem fragment intertwines themes of nature's vastness, its capacity to inspire
awe, and its connection to human spirituality, ritual, and mystery. Coleridge
juxtaposes the grandeur of a mighty tropical tree with the ominous practices of
idol worship and mysticism beneath it. This blend of natural majesty and human
superstition explores the tension between the sublime and the eerie.
Imagery
and Symbolism
The
Tree as a Central Image:
The
tropical tree symbolizes vastness and self-sufficiency, described as
"itself a wood." Its massive scale and intricate structure suggest a
microcosm of nature.
Its
roots delving into the flood and its canopy reaching the clouds convey a
connection between earth and sky, grounding and transcendence.
The
Interaction with Water:
The
riverbank, eroded into a "foam-piled bay" by the current, highlights
the dynamic relationship between the tree and its environment. This imagery
suggests both power and vulnerability, as the tree controls the bank but is
also shaped by natural forces.
The
Idol and the Faquir:
The
"uncouth Idol" with "channelled Brows" suggests an
enigmatic and unsettling human creation. It evokes ancient, perhaps primitive,
spiritual practices that seem out of place amid the grandeur of the natural
world.
The
"horrid Faquir" sitting beneath emphasizes the human connection to
this idol. Faquirs, often associated with asceticism and mysticism, introduce
an element of spiritual austerity that contrasts with the tree's natural
vitality.
Brooding
Horror:
The
tree's broad head and "branchy wreath" cast an ominous shadow over
the scene, personifying nature as a witness or even a participant in the
unsettling rites below. The "Horror" suggests a supernatural or
metaphysical unease, perhaps reflecting Coleridge’s exploration of the darker
aspects of the human psyche.
Tone
and Atmosphere
The
tone shifts between awe and dread. Coleridge’s description of the tree evokes
admiration for its natural beauty and scale, but the presence of the idol, the
faquir, and the brooding shadow casts an oppressive, haunting atmosphere. The
poem captures the sublime, blending beauty with terror.
Structure
and Language
Descriptive
and Layered Syntax:
Coleridge
employs long, flowing sentences filled with rich imagery, mimicking the
complexity and vastness of the tree itself. The syntax mirrors the interplay of
natural and supernatural elements.
Sound
and Rhythm:
The
use of alliteration ("broad Head's branchy wreath") and internal
rhymes enhances the musical quality of the verse. The murmurs and flows
described in the poem echo the movement of water and the whispers of nature.
Contrast:
The
natural magnificence of the tree contrasts sharply with the crude, unsettling
human practices of idolatry. This contrast underscores the tension between the
spiritual grandeur of nature and the darker impulses of humanity.
Interpretation
The
fragment may be interpreted as a meditation on the interplay of nature,
spirituality, and human superstition. The tree serves as a symbol of the
sublime—both awe-inspiring and terrifying—while the idol and faquir represent
humanity's attempt to grapple with the mysteries of existence, often in ways
that feel small or unsettling compared to nature's grandeur. Coleridge explores
how the natural world and human rituals coexist, sometimes harmoniously but
often uneasily.
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