The Screens (Les Paravents, 1961) by Jean Genet (List of Characters)

 

The Screens (Les Paravents, 1961)

by Jean Genet

(List of Characters) 

List of Characters in The Screens (Les Paravents, 1961) by Jean Genet

The play features a very large and fluid cast. Many characters appear briefly, reappear in altered forms, or function symbolically rather than as fixed individuals.

 

Major Characters

Saïd – The central figure; a cunning, opportunistic young Arab man whose shifting roles drive much of the play’s action.

Saïd’s Mother – An old, sharp, and resilient woman devoted to her son; manipulative and survival-driven.

Leïla – Saïd’s wife; her relationship with him is unstable and marked by neglect and tension.

 

Colonial / French Figures

The Lieutenant – A representative of French military authority.

The Captain – Another military officer involved in maintaining colonial control.

The Sergeant – A lower-ranking soldier reflecting discipline and enforcement.

French Soldiers – Various unnamed soldiers who appear across scenes, often as a collective presence.

Colonial Officials / Settlers – Figures representing the administrative and civilian side of French rule.

 

Algerian / Native Figures

Rebel Fighters – Members of the resistance opposing French rule.

Villagers / Civilians – Ordinary people caught in the conflict.

Beggars and Outcasts – Marginalized individuals struggling for survival, often interacting with Saïd.

 

Symbolic / Theatrical Figures

The Dead – A collective presence of deceased characters who continue to appear, speak, and observe.

Voices / Apparitions – Figures who emerge in fragmented or dreamlike scenes.

Masked or Role-Shifting Characters – Individuals who change identity or function, reinforcing the theme of performance.

 

Minor & Episodic Characters

Various Women, Prisoners, Guards, Messengers, and Onlookers who appear briefly in different scenes.

Characters who may reappear in altered roles, emphasizing the fluid and theatrical nature of identity in the play.

 

Overall, the characters in The Screens do not function as fixed, psychologically detailed individuals in the traditional sense. Instead, they operate as shifting figures within a theatrical spectacle—sometimes realistic, sometimes symbolic—contributing to the play’s fragmented and ever-changing dramatic world.

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