Rough for Theatre II (Fragment de théâtre II, written
c. late 1950s, published 1976)
by Samuel Beckett
(Key Facts)
Key Facts: Rough for Theatre II
Full Title:
Rough for Theatre II (Original French: Fragment de théâtre II)
Author:
Samuel Beckett
Type of Work:
Experimental/Fragmentary Play
Genre: Absurdist
Drama / Philosophical Theatre / Minimalist Drama
Language:
Originally written in French; widely available in English translation
Time and Place Written: Late 1950s, likely in Paris or Dublin, during
Beckett’s late minimalist phase
Date of First Publication: 1976
Publisher: Grove
Press (English translation)
Tone:
Detached, clinical, bleak, existential, and unsettling
Setting (Time):
Indeterminate; appears timeless, suspended between present and existential
eternity
Setting (Place):
Minimalist and abstract; interior space with a table and papers, C near a
window or ledge, possibly a room or undefined administrative space
Protagonist: C
(the silent figure whose life is evaluated)
Major Conflict:
C’s life and worth are under examination by A and B, who decide whether he
should continue to live; the conflict is existential and procedural rather than
physical or emotional
Rising Action: A
and B review documents, testimonies, and observations about C, debating the
meaning and value of his life while grappling with ambiguity and contradictions
Climax: A
and B reach a decision regarding C’s fate, concluding that there is no
sufficient reason to preserve his life
Falling Action:
C quietly exits, implied to move toward death, while A and B close the file
without emotional response
Themes:
Judgment without empathy
Human life reduced to data
Silence and voicelessness
Conditional existence and expendability of life
Authority, power, and bureaucracy
Collapse of meaning and narrative coherence
Death as procedural closure
Motifs:
Silence and stillness
Fragmentation of identity
Bureaucratic procedure
Repetition of reading and deliberation
Physical separation (table as barrier)
Symbols:
Table → authority and
separation
Files and papers →
reduction of life to data
Pencil → administrative
power, erasability of life
Window/ledge →
threshold between life and death
C himself →
vulnerability, voicelessness, existential suspension
Foreshadowing:
C’s position near the window/ledge foreshadows the
inevitability of his disappearance or death
The repeated examination and unresolved contradictions
in the files hint at the futility of intervention
A and B’s procedural detachment signals that the outcome
will be determined by system rather than compassion.

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