Edward
Gray
by
Alfred Tennyson
(Poem, Summary, Paraphrase & Analysis)
Edward
Gray
Sweet
Emma Moreland of yonder town
Met
me walking on yonder way,
‘And
have you lost your heart?’ she said;
‘And
are you going to marry May?’
I
had met her on yonder way,
Sweet
Emma Moreland of yonder town;
I
had something more than a word to say,
And
she gave me never a smile nor frown.
I
went by the churchyard one day in June,
And
saw the gravestone of Edward Gray.
‘Sweet
Emma Moreland of yonder town,
Has
he broken his heart?’ I said; ‘Well-a-day!’
Sweet
Emma Moreland of yonder town
Met
me walking on yonder way:
‘And
have you lost your heart?’ she said;
‘And
are you going to marry May?’
Summary
Edward
Gray was once a cheerful young man who walked often along the quiet roads near
his village. Everyone knew he was deeply in love with a gentle girl named Emma
Moreland, who lived in the nearby town. One day, as Edward was walking down the
familiar path, Emma met him and teasingly asked whether he had lost his
heart—and whether he was planning to marry another girl named May. Her tone was
light, but Edward sensed something distant in her manner, something he couldn’t
quite understand.
Not
long after, he saw Emma again on the same road. He wanted to speak with her—he
had something important to say, perhaps something about his feelings—but Emma
showed no emotion. She neither smiled nor frowned, and then she walked away,
leaving Edward confused and silently wounded. He had hoped for warmth, or at
least a hint of affection, but her indifference cut deeper than words.
Time
passed. One day in June, Edward wandered into the village churchyard. There, to
his shock, he discovered a gravestone bearing his own name—Edward Gray. Seeing
it made him feel as though a sad truth had suddenly been carved in stone: the
happy, hopeful version of himself, the one who had once loved Emma so dearly,
was gone. It was as if a part of him had died because of her coldness and
rejection.
As
he stood before the gravestone, he murmured to himself that perhaps Emma had
indeed broken his heart. The sadness he had been carrying—quiet, heavy, and
unspoken—felt confirmed by the stone before him.
Later,
Emma met him once more on the road where their paths had crossed so many times.
With the same teasing smile as before, she asked him again whether he had lost
his heart, and whether he was going to marry May. But now Edward knew the
truth: his heart was already lost, not to May, but to the pain Emma had
unknowingly caused. For him, the love he once carried had become a memory,
sealed in the silence of that gravestone in the churchyard.
Line-by-Line
Paraphrase
1.
Sweet Emma Moreland of yonder town
→ Kind Emma Moreland, who
lives in that nearby town,
2.
Met me walking on yonder way,
→ Met me while I was
walking along that path.
3.
‘And have you lost your heart?’ she said;
→ She asked me, “Have you
fallen in love?”
4.
‘And are you going to marry May?’
→ “And are you planning to
marry the girl named May?”
---
5.
I had met her on yonder way,
→ I had come across her
before on that same road,
6.
Sweet Emma Moreland of yonder town;
→ That same Emma Moreland
from the nearby town;
7.
I had something more than a word to say,
→ I wanted to tell her
something important—more than just a simple greeting,
8.
And she gave me never a smile nor frown.
→ But she didn’t show any
reaction at all—not a smile, not even a frown.
---
9.
I went by the churchyard one day in June,
→ One day in June, I walked
past the church cemetery,
10.
And saw the gravestone of Edward Gray.
→ And I saw a gravestone
with my own name, Edward Gray, written on it.
11.
‘Sweet Emma Moreland of yonder town,
→ “Oh, sweet Emma Moreland
from that town,” I said,
12.
Has he broken his heart?’ I said; ‘Well-a-day!’
→ “Has this Edward Gray
died of a broken heart?” I said. “Alas! How sad!”
---
13.
Sweet Emma Moreland of yonder town
→ Kind Emma Moreland from
that nearby town
14.
Met me walking on yonder way:
→ Once again met me as I
was walking on that same road:
15.
‘And have you lost your heart?’ she said;
→ She asked again, “Have
you fallen in love?”
16.
‘And are you going to marry May?’
→ “And are you about to
marry May?”
Detailed
Analysis
Alfred
Tennyson’s “Edward Gray” is a short, deceptively simple lyric that explores
themes of unspoken love, emotional repression, misunderstanding, and inner
collapse. Though the poem uses plain language and a repetitive structure, it
carries an understated emotional intensity that reveals itself gradually.
Tennyson uses a few brief encounters, a symbolic gravestone, and repeated
dialogue to portray a young man’s quiet heartbreak and emotional death.
The
poem opens with Emma Moreland meeting Edward on a familiar country road. Her
tone is casual and playful as she asks whether he has “lost his heart” and
whether he is planning to marry another girl named May. Her words appear
teasing, even lighthearted, but the reader senses that the question touches on
something deeper. The way she phrases it suggests that she may be unaware of
Edward’s true feelings or, perhaps more painfully, indifferent to them. This
initial scene sets the tone for the poem’s emotional tension: the outward
simplicity of the conversation hides a quiet inner struggle.
Tennyson’s
repetition of the setting—“yonder town,” “yonder way”—creates a cyclical
feeling, as though Edward’s emotional experiences keep returning to the same
unresolved point. The second stanza echoes the first, but now with deeper
insight. Edward recalls that he had previously met Emma on the same path and
had intended to confess something significant to her—likely his love or his
emotional attachment. However, Emma’s lack of expression, “never a smile nor
frown,” leaves Edward suspended in uncertainty. Her emotional flatness
intensifies his inward turmoil. This moment becomes the turning point: it is
not a dramatic rejection but a quiet, passive dismissal that wounds him.
Tennyson captures the painful reality that love sometimes dies not through
conflict, but through silence.
The
poem then shifts abruptly to the churchyard scene, the most striking and
symbolic moment. Edward sees a gravestone bearing his own name. This is not to
be taken literally; rather, Tennyson uses the gravestone as a metaphor for the
emotional death of the speaker. The “Edward Gray” inscribed on the stone
represents the version of himself who once hoped, who once loved Emma, who once
imagined happiness. The fact that this symbolic death occurs “one day in
June”—a time associated with warmth, life, and blossoming—creates a poignant
contrast. While nature thrives, Edward’s inner world collapses.
His
question, directed to Emma though she is not present, “Has he broken his
heart?”, reveals how deeply he feels the loss of her affection—or the loss of
hope for it. The exclamation “Well-a-day!” expresses sorrow and resignation,
reinforcing the notion that Edward sees himself as emotionally ruined.
The
final stanza circles back to the encounter on the road almost word for word.
This repetition creates a haunting effect, as though Edward is trapped in a
loop of past memories, unable to move beyond them. Emma again asks the same
teasing questions, unaware of the pain beneath their easy surface. By repeating
her dialogue, Tennyson underscores the emotional divide between them. For Emma,
the conversation is light and playful; for Edward, it has become weighted with
sorrow.
This
cyclical structure also suggests that Emma never truly understood Edward’s
feelings. Her questions—unchanged, un-nuanced—highlight her distance from his
inner suffering. The poem ends without resolution, intensifying the sense of
emotional paralysis. Edward does not confront her, nor does he reveal his
heart. His silence mirrors her earlier silence, and the poem closes with a
feeling of stasis and quiet tragedy.
Ultimately,
“Edward Gray” is a study in emotional understatement. Tennyson portrays a
heartbreak that is not dramatic or theatrical but internal, unspoken, and
deeply human. The poem captures the loneliness of loving without being
understood and the silent grief of losing hope without a single moment of
closure. Through simple dialogue, repetition, and symbolic imagery, Tennyson
crafts a powerful portrayal of a young man whose emotional life concludes not
with a loud cry, but with a quiet burial in the recesses of his own heart.

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