To a
Butterfly
(Poem, Summary, Paraphrase & Analysis)
William
Wordsworth actually wrote two poems titled “To a Butterfly” (both in 1801,
published 1807).
To a
Butterfly (First Poem)
Stay
near me—do not take thy flight!
A
little longer stay in sight!
Much
converse do I find in thee,
Historian
of my infancy!
Float
near me; do not yet depart!
Dead
times revive in thee:
Thou
bring’st, gay creature as thou art!
A
solemn image to my heart,
My
father’s family!
Oh!
pleasant, pleasant were the days,
The
time, when, in our childish plays,
My
sister Emmeline and I
Together
chased the butterfly!
A
very hunter did I rush
Upon
the prey:—with leaps and springs
I
followed on from brake to bush;
But
she, God love her, feared to brush
The
dust from off its wings.
Summary
In
this poem, William Wordsworth addresses a butterfly, asking it to linger with
him a little longer before flying away. He finds in the small creature a
companion that awakens deep personal memories. For him, the butterfly is not
just a fleeting insect; it becomes a living connection to his past, a
“historian of his infancy,” bringing back images of childhood that had long
been quiet in his mind. The presence of the butterfly stirs the poet’s heart
with solemn recollections of his father’s household, reminding him of the
family life that shaped his early years.
Wordsworth
then recalls specific memories of his childhood days. He speaks of a time when
he and his sister, Emmeline, would chase butterflies together in their youthful
play. For him, these were happy and lively moments, full of the energy and
excitement of childhood. He describes how he himself would act like a true
hunter, rushing after the delicate insect with eager leaps and quick movements
through bushes and thickets. In contrast, his sister showed a gentler spirit;
she feared even to touch the butterfly, not wanting to brush the fragile dust
from its wings. The poet presents this difference with affection—his own
restless eagerness alongside his sister’s tender care.
Thus,
the butterfly becomes more than a mere insect; it is the trigger for memory,
carrying the poet back to the joy of those pleasant days. Through its delicate
presence, Wordsworth relives scenes of innocence, love, and shared play with
his sister. The poem closes with a tone of tenderness, cherishing both the
vividness of childhood pursuits and the gentle nature of his sister, whose love
and restraint form part of the treasured memory.
In
this way, the poem unfolds as a remembrance of family, childhood, and the bond
between siblings—all brought alive by the sight of a single butterfly.
Line-by-line
Paraphrase
Stay
near me—do not take thy flight!
->
Remain close to me, don’t fly away just yet!
A
little longer stay in sight!
->
Stay where I can see you for a little while longer.
Much
converse do I find in thee,
->
You remind me of many conversations and thoughts.
Historian
of my infancy!
->
You are like a historian who brings back memories of my childhood.
Float
near me; do not yet depart!
->
Stay close, don’t leave so soon.
Dead
times revive in thee:
->
You bring back moments from the past that seemed long forgotten.
Thou
bring’st, gay creature as thou art!
->
You, cheerful little creature that you are, bring to me—
A
solemn image to my heart,
->
A serious and moving picture in my mind—
My
father’s family!
->
Memories of my father’s household and family life.
Oh!
pleasant, pleasant were the days,
->
How joyful those days once were,
The
time, when, in our childish plays,
->
The time when, as children playing together,
My
sister Emmeline and I
->
My sister Emmeline and I
Together
chased the butterfly!
->
Used to run after butterflies together!
A
very hunter did I rush
->
I would charge after them like a true hunter,
Upon
the prey:—with leaps and springs
->
With leaps and quick movements in pursuit of my prey.
I
followed on from brake to bush;
->
I chased it from thicket to bush without rest.
But
she, God love her, feared to brush
->
But my sister, bless her, was afraid even to touch
The
dust from off its wings.
->
The delicate powder from the butterfly’s wings.
Analysis
in Detail
William
Wordsworth’s To a Butterfly is a tender and reflective lyric that reveals the
poet’s characteristic blending of nature and memory. At first glance, it seems
like a simple address to a passing butterfly, yet beneath its delicate lines
lies a meditation on childhood, family, and the power of seemingly small
creatures to awaken profound recollections.
The
poem opens with the poet pleading with the butterfly to stay close: “Stay near
me—do not take thy flight!” This urgent appeal sets the tone of longing and
attachment. The butterfly is not treated as an ordinary insect, but as a
companion whose presence is deeply significant. Wordsworth calls it the
“historian of my infancy,” attributing to it the role of a recorder of his
past. The butterfly, in its fleeting and delicate form, becomes a symbol of
memory itself—fragile, elusive, and easily lost if not held onto. Its presence
revives what the poet calls “dead times,” moments from childhood that resurface
vividly in his imagination. Thus, the butterfly bridges the gap between the
present and the past, between fleeting nature and enduring memory.
As
the poem unfolds, Wordsworth’s reflections shift from the solitary image of the
butterfly to recollections of his family. He speaks of his father’s household,
bringing a solemn note into what first appeared to be a light-hearted
encounter. The cheerful creature, the butterfly, unexpectedly evokes serious
and moving images of family life, reminding us that in Wordsworth’s poetry,
nature often serves as a doorway into deeper personal truths.
The
second half of the poem focuses on childhood play with his sister, Emmeline.
This memory is recounted with warmth and detail. Wordsworth recalls how the two
of them would chase butterflies together, though their approaches differed. He
describes himself as a hunter, eager and relentless, pursuing the butterfly
with leaps and excitement. In contrast, his sister shows gentleness and
restraint—she is afraid to harm the butterfly or even disturb the dust on its
wings. Through this contrast, Wordsworth highlights both his own energetic
nature as a child and the tender, protective spirit of his sister. It is not
only a memory of shared play but also an affectionate portrait of their
personalities.
The
imagery in the poem reflects this dual quality of playfulness and solemnity.
Words such as “leaps,” “springs,” and “hunter” give a sense of childhood energy
and chase, while phrases like “solemn image to my heart” remind the reader of
the emotional depth behind the memory. The butterfly itself is portrayed as
“gay” and cheerful, yet its presence brings seriousness and nostalgia. This
tension between lightness and depth is characteristic of Wordsworth’s approach:
he finds in simple, natural experiences a connection to profound emotional
truths.
Thematically,
the poem embodies central concerns of Wordsworth’s poetry. First is the theme
of memory and childhood—the butterfly acts as a trigger that recalls the poet’s
early life, and through memory, he relives joy and sorrow together. Second is
the theme of family affection—his sister’s presence is central to the memory,
and her gentleness adds a moral and emotional weight to the scene. Finally,
there is the theme of nature as teacher and companion—the butterfly is not
trivial but meaningful, a living symbol of continuity between past and present.
The
tone of the poem is both affectionate and reflective. Wordsworth addresses the
butterfly directly, almost as though it were a human listener, which lends
intimacy to the lyric. At the same time, the reflection on family and childhood
gives the poem a wistful quality, as though the poet is aware that those days
are gone and can only be revisited through memory.
In
conclusion, To a Butterfly is more than a fleeting observation of an insect; it
is a meditation on time, memory, and relationships. Through the delicate image
of the butterfly, Wordsworth connects the simplicity of nature with the depth
of human feeling. The poem captures the essence of his poetic vision—that
ordinary moments in nature, if deeply felt, can lead to profound reflections on
life and human bonds. It is this ability to turn the small into the
significant, the fleeting into the eternal, that marks Wordsworth as a poet of
memory, nature, and the heart.
To a
Butterfly (Second Poem)
I’ve
watched you now a full half-hour,
Self-poised
upon that yellow flower;
And,
little Butterfly! indeed
I
know not if you sleep or feed.
How
motionless!—not frozen seas
More
motionless! and then
What
joy awaits you, when the breeze
Hath
found you out among the trees,
And
calls you forth again!
This
plot of orchard-ground is ours;
My
trees they are, my sister’s flowers;
Here
rest your wings when they are weary;
Here
lodge as in a sanctuary!
Come
often to us, fear no wrong;
Sit
near us on the bough!
We’ll
talk of sunshine and of song,
And
summer days, when we were young;
Sweet
childish days, that were as long
As twenty
days are now.
Summary
In
this poem, William Wordsworth observes a butterfly resting quietly upon a
yellow flower. He has been watching it for half an hour, marveling at its
stillness. The insect seems so calm that he cannot tell whether it is feeding
or asleep. Its stillness is compared to frozen seas—utterly motionless. Yet,
the poet imagines the joy the butterfly will soon experience when the breeze
comes, carrying it from its resting place and calling it back into the open air
and trees. Thus, the simple act of watching the butterfly at rest stirs in the
poet thoughts about peace, waiting, and the quiet rhythms of nature.
The
poet then reflects on the orchard where the butterfly rests. This orchard
belongs to him and his sister, and he claims both the trees as his own and the
flowers as belonging to her. Together, the orchard becomes their shared
sanctuary, a place of quiet beauty where the butterfly is welcome. Wordsworth
invites the butterfly to return often, promising it safety and hospitality. He
assures the delicate creature that it may find rest there whenever it is weary,
as though the orchard were a sacred refuge.
As
the poem closes, the butterfly’s presence turns the poet’s mind toward memories
of the past. He and his sister will sit together under the trees and speak of
sunshine, music, and the happy summer days of their youth. He recalls with
tenderness that those childhood days seemed long and full of joy, in contrast
to the present, when time feels shorter and more fleeting. The butterfly,
therefore, becomes a gentle reminder of those “sweet childish days,” a symbol
of innocence, memory, and the enduring bond he shares with his sister.
In
this way, the poem unfolds not as a study of nature alone but as a meditation
on memory, family affection, and the contrast between the long summers of
childhood and the swift passage of time in adulthood.
Line-by-Line
Paraphrase
I’ve
watched you now a full half-hour,
->
I have been observing you for thirty minutes,
Self-poised
upon that yellow flower;
->
As you remain balanced and steady on that yellow blossom.
And,
little Butterfly! indeed
->
And truly, little butterfly,
I
know not if you sleep or feed.
->
I cannot tell whether you are resting or eating.
How
motionless!—not frozen seas
->
You are so still! Even frozen seas are not more still.
More
motionless! and then
->
You seem even more unmoving than they are, and then—
What
joy awaits you, when the breeze
->
What happiness awaits you when the breeze arrives,
Hath
found you out among the trees,
->
When the wind discovers you among the trees,
And
calls you forth again!
->
And summons you to fly into the air once more!
This
plot of orchard-ground is ours;
->
This orchard belongs to us,
My
trees they are, my sister’s flowers;
->
The trees are mine, while the flowers belong to my sister.
Here
rest your wings when they are weary;
->
Rest your wings here whenever you are tired.
Here
lodge as in a sanctuary!
->
Stay here as if it were a safe and holy place.
Come
often to us, fear no wrong;
->
Visit us often, and don’t fear any harm.
Sit
near us on the bough!
->
Sit close to us on a tree branch.
We’ll
talk of sunshine and of song,
->
We will speak of happy things like sunlight and music,
And summer
days, when we were young;
->
And of the summer days of our youth,
Sweet
childish days, that were as long
->
The sweet days of childhood, which seemed so long,
As
twenty days are now.
->
Compared with how quickly twenty days pass for us now.
Detailed
Analysis of To a Butterfly (Second Poem)
In
this poem, Wordsworth once again turns his attention to a butterfly, but the
mood and focus differ from the first version. Whereas the earlier poem was
filled with lively memories of childhood play, this second poem is slower, more
meditative, and concerned with stillness, companionship, and the quiet passage
of time. It demonstrates Wordsworth’s ability to draw profound meaning from a
simple scene in nature, using it to reflect on memory, family bonds, and the
contrast between youth and adulthood.
The
poem begins with the poet watching a butterfly resting upon a yellow flower. He
notes that he has been observing it for half an hour, captivated by its
complete stillness. The butterfly becomes a symbol of calmness and quiet, as if
embodying the stillness of nature itself. Wordsworth even compares it to frozen
seas, suggesting that the creature is motionless beyond anything he can
imagine. Yet the poet does not see this stillness as lifeless; rather, he
imagines the joy that will soon come when the breeze awakens the butterfly and
invites it to fly once more. Here, nature is portrayed in a cycle of rest and
renewal, of quiet waiting and sudden activity, which mirrors human life.
The
second stanza shifts from the butterfly to the setting—the orchard ground.
Wordsworth emphasizes ownership and intimacy, describing the orchard as
belonging both to him and his sister: the trees are his, and the flowers are
hers. This detail underscores the sense of shared life and companionship that
pervades the poem. The orchard is presented not only as a piece of land but as
a sanctuary, a safe and sacred place where the butterfly may come and rest. In
inviting the butterfly to return often and find refuge there, Wordsworth
extends his affection for nature into an act of hospitality. The butterfly is
no mere insect to him, but a guest welcomed into the domestic and emotional
life of the poet and his sister.
As the
poem draws to its close, the butterfly once again becomes a bridge to memory.
Wordsworth and his sister, sitting together under the orchard trees, will talk
of sunshine, music, and the days of their youth. These childhood days are
remembered as long and full, in contrast to the fleeting nature of time in
adulthood. Wordsworth captures this shift in perception with poignancy: days of
youth seemed to stretch endlessly, but now twenty days pass as quickly as one.
The butterfly, by resting in their orchard, sparks these reflections on time’s
changing pace and the sweetness of childhood compared with the brevity of adult
years.
The
imagery of the poem reflects this tone of serenity and reflection. Words such
as “motionless,” “rest,” and “sanctuary” create a sense of calm. The orchard
itself becomes symbolic of memory, protection, and the shared bond between
siblings. The butterfly, instead of evoking play and chase as in the first
poem, evokes stillness, conversation, and remembrance. This change of imagery
shows how the same natural creature can inspire different modes of thought: one
playful and energetic, the other quiet and meditative.
Thematically,
the second poem reinforces several of Wordsworth’s central concerns. First is
the theme of time and memory—childhood is remembered as expansive, while adult
time feels compressed. Second is the theme of family affection—once again, the
sister is central to the poet’s memories and reflections, symbolizing
continuity and companionship. Third is the theme of nature as sanctuary—the
orchard, shared with his sister, becomes a refuge not only for the butterfly
but also for human thoughts and conversations about the past.
The
tone of the poem is markedly different from the first. Where the earlier poem
was lively, recalling the chase of children after a butterfly, this second
version is slower, peaceful, and filled with tenderness. The poet’s direct
address to the butterfly conveys intimacy, while the concluding reflections on
childhood add a note of wistful nostalgia.
In
conclusion, this second To a Butterfly shows Wordsworth in his most reflective
mood, using the stillness of a delicate insect to spark thoughts about memory,
time, and the bond he shares with his sister. Together with the first version,
it reveals two sides of his vision: the joy of childhood energy and the calm of
adult remembrance. The butterfly, fragile and fleeting, becomes a lasting
symbol of continuity between the world of nature and the depths of human
feeling.
Analysis
of William Wordsworth’s To a Butterfly (Both Poems)
William
Wordsworth’s two companion poems titled To a Butterfly offer delicate yet
profound reflections on memory, family, and the power of nature to stir deep
human feelings. Though both poems focus on the same simple creature, their tone
and emphasis differ, allowing the butterfly to symbolize different aspects of
the poet’s life and thought.
The
first poem opens with Wordsworth directly addressing the butterfly, pleading
with it to remain near him. To the poet, the butterfly is no ordinary insect
but a “historian of my infancy.” Its presence revives long-forgotten days of
his father’s household and especially the playful bond he shared with his
sister Emmeline. He recalls with warmth how they used to chase butterflies
together, though in different ways: he with the eager energy of a hunter,
leaping and rushing, and she with a gentler spirit, unwilling to harm the
fragile wings. This contrast highlights both their personalities and the
innocence of childhood. The tone here is lively yet tinged with solemnity, as
the butterfly unexpectedly stirs images of family life and the passing of time.
The
second poem adopts a calmer, more meditative mood. Wordsworth describes
watching a butterfly resting motionless on a yellow flower for half an hour,
captivated by its stillness. The insect becomes a symbol of peace, waiting
quietly until the breeze calls it back into flight. From this moment of
stillness, the poet turns to the orchard that he and his sister share—his trees
and her flowers. The orchard becomes a sanctuary, a safe refuge not only for
the butterfly but for memory itself. Wordsworth invites the butterfly to return
often, promising it hospitality. In the closing lines, the butterfly draws his
thoughts back to childhood once more. He and his sister will sit together,
speaking of sunshine, music, and the long summers of youth. Those days, he notes
with tenderness, seemed endless in contrast to the shortness of time in
adulthood.
Read
together, the two poems reveal Wordsworth’s characteristic blending of nature
and memory. The butterfly becomes both playful and solemn, both energetic and
still. In the first poem it represents the vitality of childhood games and the
affectionate bond between siblings; in the second, it represents reflection,
sanctuary, and the bittersweet contrast between youth and adulthood. Both poems
place his sister at the heart of his recollections, showing how deeply
Wordsworth valued family affection and companionship.
Ultimately,
the two To a Butterfly poems are not simply about an insect but about what the
butterfly awakens in the human heart. They embody Wordsworth’s vision that
nature, even in its smallest forms, is full of meaning and capable of
connecting us to memory, innocence, and enduring human love.
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