A
Fever
by
John Donne
(Poem, Summary, Paraphrase, Analysis & Questions)
A
Fever
O!
do not die, for I shall hate
All
women so, when thou art gone,
That
thee I shall not celebrate
When
I remember thou wast one.
But
yet thou canst not die, I know;
To
leave this world behind, is death;
But
when thou from this world wilt go,
The
whole world vapours with thy breath.
Or
if, when thou, the world’s soul, go’st,
It
stay, ‘tis but thy carcase then;
The
fairest woman, but thy ghost,
But
corrupt worms, the worthiest men.
O
wrangling schools, that search what fire
Shall
burn this world, had none the wit
Unto
this knowledge to aspire,
That
this her fever might be it?
And
yet she cannot waste by this,
Nor
long bear this torturing wrong,
For
more corruption needful is
To
fuel such a fever long.
These
burning fits but meteors be,
Whose
matter in thee is soon spent;
Thy
beauty, and all parts, which are thee,
Are
unchangeable firmament.
Yet
‘twas of my mind, seizing thee,
Though
it in thee cannot persever:
For
I had rather owner be
Of
thee one hour, than all else ever.
Summary
Stanza
1:
The
speaker pleads with his beloved not to die. He says if she dies, he will end up
hating all women so deeply that he won’t even be able to praise her
memory—because she was also a woman.
Stanza
2:
He
assures her that she cannot really die. If she were to leave the world, it
would be like death for the entire world. Her breath is so essential that the
world would vanish like vapor if she left.
Stanza
3:
If
she is the soul of the world and leaves it, then the world might physically
remain, but it will be lifeless—just a body. Without her, even the most
beautiful women would seem like ghosts, and the most worthy men would be like
rotting corpses.
Stanza
4:
The
speaker turns to the scholars who debate what kind of fire will destroy the
world. He wonders why none of them considered that her fever (her illness)
could be that very fire that might end the world.
Stanza
5:
Despite
the fever, he believes she cannot be destroyed by it. However, he also thinks
that such a strong and torturous fever can’t last long—because it would require
more corruption (decay or weakness) in her body than she has.
Stanza
6:
He
compares her feverish episodes to meteors—short-lived bursts that burn up
quickly. Her true nature—her beauty and her whole being—is like the heavens
(the firmament), stable and unchangeable.
Stanza
7:
In
the end, he admits that this fever might have originated from his own mind and
passed on to her, though it cannot last in her pure form. Finally, he confesses
that he would rather possess her love for just one hour than own everything
else forever.
Line-by-line
Paraphrase
Stanza
1
O!
do not die, for I shall hate
→
Please don’t
die, because I will start to hate
All
women so, when thou art gone,
→ All
women if you are no longer alive,
That
thee I shall not celebrate
→ So
much so that I won’t
even praise you
When
I remember thou wast one.
→
Just because you too were a woman.
Stanza
2
But
yet thou canst not die, I know;
→ But
actually, I believe you can’t
die;
To
leave this world behind, is death;
→
Dying means leaving this world;
But
when thou from this world wilt go,
→ And
if you leave the world,
The
whole world vapours with thy breath.
→ The
entire world will disappear, like vapor, with your last breath.
Stanza
3
Or
if, when thou, the world’s soul, go’st,
→ Or
if you, the soul of the world, do leave,
It
stay, ‘tis but thy carcase then;
→
Then the world that remains is just your lifeless body;
The
fairest woman, but thy ghost,
→
Even the most beautiful woman will seem like your ghost,
But
corrupt worms, the worthiest men.
→ And
the best of men will just seem like rotting bodies.
Stanza
4
O
wrangling schools, that search what fire
→ Oh,
you arguing scholars, who debate what kind of fire
Shall
burn this world, had none the wit
→
Will destroy the world—wasn’t there even one of you smart enough
Unto
this knowledge to aspire,
→ To
consider this idea:
That
this her fever might be it?
→
That her fever might be the very fire that ends the world?
Stanza
5
And
yet she cannot waste by this,
→
Still, she cannot be consumed or ruined by this fever;
Nor
long bear this torturing wrong,
→ Nor
can she endure this painful illness for long;
For
more corruption needful is
→
Because a body needs more internal decay
To
fuel such a fever long.
→ To
keep such a strong fever going.
Stanza
6
These
burning fits but meteors be,
→
These intense feverish moments are like meteors—brief flashes;
Whose
matter in thee is soon spent;
→ And
in you, they burn out quickly because there’s no
corrupt material to sustain them;
Thy
beauty, and all parts, which are thee,
→
Your beauty and every part of you
Are
unchangeable firmament.
→ Are
like the sky above—unchanging
and eternal.
Stanza
7
Yet
‘twas of my mind, seizing thee,
→
Still, this fever came from my mind and took hold of you;
Though
it in thee cannot persever:
→ But
it can’t last in you for long;
For
I had rather owner be
→
Because I would rather possess
Of
thee one hour, than all else ever.
→ One
hour of your love, than have everything else in the world, forever.
Analysis
in Detail
“A
Fever” is a dramatic and emotional love poem in which John Donne addresses a
woman who is dangerously ill. The speaker blends passion, desperation, and
metaphysical imagery to express the deep emotional turmoil he experiences at
the thought of losing her. As with many of Donne’s works, the poem moves
between physical and spiritual, personal and cosmic, using wit and paradox to
underscore the intensity of his feelings.
Theme
1: Love and Death Intertwined
The
dominant theme of the poem is the fusion of romantic love with mortality. The
speaker is terrified at the prospect of his beloved’s death. He claims he would
grow to hate all women if she were to die, not because he dislikes women, but
because none could match her. Her death would cast a shadow over all femininity
itself. This reveals an obsessive and almost exclusive kind of love, where her
individual value eclipses the entire gender.
Theme
2: The Beloved as the Soul of the World
In
stanzas 2 and 3, the speaker elevates the woman to a near-divine status. He
imagines that if she dies, the whole world would disappear with her breath, or
at best become a mere corpse without its soul. This kind of metaphysical
imagery—comparing a single person to the essence of the universe—is typical of
Donne. It reflects the 17th-century Neoplatonic idea that love could unite
individuals with the divine or universal.
Theme
3: Cosmic Consequences of Her Illness
Donne
playfully critiques scholarly debates about the end of the world (in stanza 4),
suggesting that her fever might actually be the fire that will destroy the
earth. This sarcastic tone mocks learned men while glorifying the beloved’s
physical suffering to cosmic proportions. It’s also a comment on how love and
loss feel like apocalypses to the person experiencing them.
Theme
4: The Eternal Nature of Her Beauty
In
stanzas 5 and 6, the speaker argues that she cannot truly be consumed by
illness, because her beauty and nature are unchanging and incorruptible. He
contrasts the temporary violence of the fever to meteors, while portraying her
essence as stable like the firmament (heavens or stars). This paradox—being
mortal and yet eternal—is at the heart of Donne’s metaphysical style.
Theme
5: Love as Ownership and Fulfillment
In
the final stanza, Donne concludes with a striking confession: he would rather
possess her for one hour than have all else for eternity. This expresses the
intensity of passionate, even possessive, love. It also suggests a kind of
spiritual economy where one moment of true love is more valuable than all
worldly things.
Tone
and Voice:
The
poem’s tone ranges from pleading and urgent to reverent and adoring, and at
times even sarcastic and witty (as seen in the lines about scholars). The
speaker is not calm or philosophical—he is emotionally involved, using
hyperbole and cosmic comparisons to convey the seriousness of his beloved’s
illness.
Structure
and Form:
The
poem is written in seven quatrains (four-line stanzas), with a regular rhyme
scheme: ABAB. The rhythm is generally iambic, but with occasional variation to
reflect emotional shifts. This formal structure helps control the poem’s
passionate energy, grounding its flights of metaphysical imagination.
Language
and Poetic Devices:
Metaphysical
conceits: The entire poem is built on extended metaphors—comparing a fever to
world-ending fire, the woman to the soul of the world, etc.
Paradox:
The idea that she can’t die because her death would mean the end of the world
is a powerful paradox.
Allusions:
Subtle references to Christian eschatology (end-of-the-world ideas), to the
nature of the soul and body, and to scientific debates of the time.
Imagery:
The poem is rich in cosmic imagery—vapors, meteors, firmament, fire—all used to
heighten the emotional drama.
Irony
and wit: Donne’s critique of academic scholars for missing what he sees as the
“true” cause of the world’s destruction is witty and ironic.
Conclusion:
“A
Fever” is a moving and intense expression of love heightened by the fear of
death. John Donne blends spiritual and physical love, exaggeration and
intellect, personal grief and universal significance. Through paradoxes and
metaphysical conceits, he elevates the beloved’s importance, turning her
illness into a symbol of both apocalyptic destruction and divine permanence.
It’s not just about romantic affection—it’s about how love transforms
everything: perception, logic, and even the laws of the universe.
Possible
Exam Questions
Why
does the speaker plead with his beloved not to die in the first stanza?
How
does the speaker describe the beloved’s importance to the world in stanza 2?
What
is the “fever” in the poem and how is it metaphorically significant?
What
kind of tone is adopted by the speaker when he addresses scholars in stanza 4?
What
comparison does Donne make between the woman’s fever and meteors?
What
does the speaker mean by saying he’d rather have one hour with her than all
else ever?
Discuss
how John Donne uses metaphysical conceits in “A Fever” to elevate the beloved’s
significance.
Examine
the theme of love and death in “A Fever”. How does Donne blend these two
themes?
Analyze
the use of cosmic imagery in “A Fever”. What purpose does it serve in the
poem’s emotional impact?
Explore
the speaker’s emotional transformation throughout the poem. How does the tone
shift across the stanzas?
To
what extent does “A Fever” reflect metaphysical poetry’s characteristics? Give
examples from the text.
Read
the following lines and answer the questions that follow:
“That
this her fever might be it?”
a)
Who is referred to as “her”?
b)
What does the speaker suggest about her fever?
c)
How is this an example of Donne’s metaphysical wit?
Read
and answer:
“Thy
beauty, and all parts, which are thee,
Are
unchangeable firmament.”
a)
What comparison is made in these lines?
b)
What is suggested about the woman’s nature?
c)
What poetic device is used here?
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