Zapolya
(excerpts)
by
Samuel Taylor Coleridge
(Poem, Summary, & Analysis)
Zapolya
(excerpts)
Song
(Act
II, Scene I, lines 65-80)
A
sunny shaft did I behold,
From
sky to earth it slanted :
And
poised therein a bird so bold—
Sweet
bird, thou wert enchanted !
He
sank, he rose, he twinkled, he trolled
Within
that shaft of sunny mist ;
His
eyes of fire, his beak of gold,
All
else of amethyst !
And
thus he sang : `Adieu ! adieu !
Love's
dreams prove seldom true.
The
blossoms they make no delay :
The
sparkling dew-drops will not stay.
Sweet
month of May,
[Image]
We must away ;
[Image][Image]
Far, far away !
[Image][Image][Image]
To-day ! to-day !'
——————————————
Hunting
Song
(Act
IV, Scene II, lines 56-71)
Up,
up ! ye dames, ye lasses gay !
To
the meadows trip away.
'Tis
you must tend the flocks this morn,
And
scare the small birds from the corn.
Not
a soul at home may stay :
[Image]For
the shepherds must go
[Image]With
lance and bow
To
hunt the wolf in the woods to-day.
Leave
the hearth and leave the house
To
the cricket and the mouse :
Find
grannam out a sunny seat,
With
babe and lambkin at her feet.
Not
a soul at home must stay :
[Image]For
the shepherds must go
[Image]With
lance and bow
To
hunt the wolf in the woods to-day.
Summary
Song
(Act II, Scene I, lines 65-80)
The
speaker describes seeing a bright, slanting shaft of sunlight stretching from
the sky to the earth. Inside this shaft of light, there is a bold, enchanting
bird. The bird moves gracefully within the sunbeam—sometimes sinking, rising,
twinkling, and singing melodiously. The bird’s eyes shine like fire, its beak
gleams like gold, and its feathers appear as if made of amethyst. The bird
sings a farewell song, saying "Adieu! adieu!" It warns that dreams of
love often prove false. It observes that the blossoms bloom quickly without
delay, and the sparkling dew-drops disappear fast. The bird addresses the sweet
month of May, urging to leave immediately and go far away, emphasizing the
urgency by repeating "To-day! to-day!"
Hunting
Song (Act IV, Scene II, lines 56-71)
This
is a lively call to the women and girls to rise early and go to the meadows.
Their task is to tend to the flocks and to scare away small birds that might
eat the corn. The song stresses that no one should stay home because the
shepherds must leave for the day. The shepherds are going out to hunt wolves in
the woods, armed with lances and bows. The women are told to leave the hearth
and their houses to the cricket and mouse and to find an elderly woman
("grannam") a sunny place to sit, with a baby and lamb by her side.
The song repeats that no one should remain at home because the shepherds are
off hunting wolves in the woods today.
Analysis
in Detail
Song
(Act II, Scene I, lines 65-80)
This
passage centers on a striking and enchanting image of a bird poised within a
shaft of sunlight. The imagery is vivid and rich, with the bird’s eyes
described as "fire," its beak "gold," and feathers likened
to "amethyst." These precious and vibrant images evoke a sense of
beauty, mysticism, and otherworldliness, suggesting the bird symbolizes
something magical or supernatural.
The
bird’s movement—sinking, rising, twinkling, and trolling (singing
playfully)—within the sunlight adds a dynamic and lively quality to the scene.
The shaft of sunlight itself may symbolize clarity, revelation, or divine
presence, framing the bird as a messenger or an enchanted being.
The
song of the bird is a farewell, bidding "Adieu! adieu!" and
delivering a somewhat melancholic message about the nature of love and time.
The phrase "Love’s dreams prove seldom true" expresses a realistic,
even pessimistic view on romantic idealism, implying that love’s hopeful
visions often end in disappointment. The rapid blooming of blossoms and the
fleeting dew-drops emphasize the swift passage of time and fleeting nature of
beauty and innocence.
The
repeated call to depart “To-day! to-day!” injects urgency and a sense of
inevitable change or transition. The bird’s address to the "sweet month of
May" connects this to springtime, a season traditionally symbolic of
growth, renewal, and love, yet here also marked by departure and impermanence.
This contrast may underscore themes of loss and the bittersweet passage from
youthful dreams to harsh reality.
Hunting
Song (Act IV, Scene II, lines 56-71)
This
excerpt is a lively, rhythmic call to action, directed primarily at women and
girls, instructing them to leave their homes and tend the flocks. The tone here
is brisk and communal, emphasizing shared responsibility and the division of
labor within the rural or pastoral setting.
The
contrast between the domestic and wild is notable. Women and girls are
entrusted with home duties—caring for flocks and protecting crops by scaring
birds—while the men (shepherds) must leave to hunt wolves, a dangerous predator
threatening their community. This division symbolizes traditional gender roles
and the dangers lurking beyond the safety of home.
The
repeated phrases like "Not a soul at home may stay" and "For the
shepherds must go... to hunt the wolf in the woods today" create a
rhythmic chant, evoking a sense of ritual or communal duty. This also
reinforces the seriousness of the shepherds’ task, hunting a real threat to the
safety and livelihood of the community.
The
imagery of the "hearth" and "house" being left to "the
cricket and the mouse" evokes a cozy, quiet domestic scene in contrast to
the wild, dangerous woods where the men will face wolves. Inviting “grannam” to
a sunny seat with a baby and lambkin emphasizes nurturing and continuity of
life, the protection of the vulnerable while others engage in risk.
Overall,
the Hunting Song celebrates both the courage of the men going to face danger
and the crucial supportive role of women maintaining home life. It underscores
themes of community, protection, and the balance between civilization and
wilderness.
Summary
of Key Themes and Devices:
Imagery
and Symbolism: Both excerpts use vivid natural imagery to highlight themes of
beauty, change, and danger. The enchanted bird in sunlight symbolizes fleeting
beauty and melancholy; the hunting scene contrasts domestic safety and wild
danger.
Themes:
Transience
and impermanence (Song’s farewell and fleeting dew/dreams).
Division
of labor and community roles (Hunting Song).
Reality
vs. idealism (love’s dreams vs. harsh truths).
The
tension between safety (home) and risk (woods/wolves).
Tone:
Song
is melancholic, reflective, and urgent.
Hunting
Song is energetic, communal, and purposeful.
Literary
Devices:
Repetition
for emphasis and rhythm (“Adieu! adieu!”, “Not a soul at home may stay”).
Personification
(the bird singing, the hearth left to cricket and mouse).
Alliteration
and internal rhyme add musicality (“sank, he rose, he twinkled, he trolled”).
Key
Exam Points
Vivid
Imagery: The poem uses rich, colorful imagery—such as the bird’s “eyes of fire”
and “beak of gold”—to create a magical, almost supernatural atmosphere.
Symbolism
of the Bird: The enchanted bird symbolizes fleeting beauty, transience, and the
bittersweet nature of love and dreams.
Theme
of Transience: Both excerpts highlight the fleeting nature of time and
experience—whether through the bird’s song warning that “love’s dreams prove
seldom true” or the urgency of leaving “to-day.”
Tone
Contrast: The Song is melancholic and reflective, while the Hunting Song is
energetic, communal, and directive, showing different moods within the play.
Division
of Roles: The Hunting Song highlights traditional gender roles—women tend
flocks and protect crops, while men hunt predators—reflecting social structure
and cooperation.
Use
of Repetition: Repeated lines (“Adieu! adieu!” and “Not a soul at home may
stay”) emphasize urgency and importance, and create musicality.
Natural
Setting: Both songs are grounded in a pastoral, rural setting, connecting human
emotions and duties closely with nature and the changing seasons.
Underlying
Themes: The tension between innocence and experience, safety and danger, love
and disillusionment, home and wilderness.
These
points capture the essential literary and thematic features that are often
asked about in exams on Romantic poetry or Coleridge’s works. Let me know if
you want these expanded or tailored for a specific exam style!
Revision
Sheet
In
Zapolya, Coleridge uses vivid and striking imagery to create an enchanted and
pastoral atmosphere. The Song (Act II, Scene I) describes a magical bird
perched in a shaft of sunlight. This bird, with its fiery eyes, golden beak,
and amethyst feathers, symbolizes fleeting beauty and the bittersweet nature of
love. The bird’s song is a melancholic farewell, warning that love’s dreams
often end in disappointment and emphasizing how quickly time passes through
images like blooming blossoms and disappearing dew. The urgent repetition of
“To-day! to-day!” highlights the inevitability of change and departure,
underscoring the theme of transience and the passage of time.
In
contrast, the Hunting Song (Act IV, Scene II) adopts a lively, rhythmic tone.
It calls the women and girls to leave their homes and tend to the flocks while
the men prepare to hunt wolves threatening their community. This song reflects
traditional social roles and the balance between domestic safety and wild
danger. The imagery contrasts the cozy domestic setting—with the hearth left to
quiet creatures like the cricket and mouse—and the dangerous woods where the
men will face wolves. The repeated lines emphasize community duty and the
urgency of the task. Overall, the Hunting Song celebrates communal
responsibility and the courage needed to protect the settlement.
Both
songs emphasize close ties between human life and the natural world, exploring
themes such as the impermanence of beauty and love, the division of labor in
rural communities, and the constant tension between safety and threat.
Coleridge’s use of repetition, musicality, and rich symbolism in these excerpts
brings to life the emotional and social dynamics of the play’s setting.
This
summary should help you quickly grasp the main points and themes from these
excerpts. Let me know if you want a version focused more on quotes or questions
for practice!
Possible
Exam Questions
Describe
the imagery used in the “Song” from Act II, Scene I of Zapolya. How does
Coleridge use this imagery to convey the mood of the poem?
What
message does the enchanted bird’s song communicate in the Song? How does this
reflect the themes of the play?
Compare
and contrast the tone and mood of the “Song” in Act II, Scene I with the
“Hunting Song” in Act IV, Scene II. How does Coleridge create these different
atmospheres?
Explain
the significance of the natural setting in both the Song and the Hunting Song.
How do these settings contribute to the overall meaning of the excerpts?
How
does the Hunting Song reflect the social structure and gender roles in the
community portrayed in Zapolya?
Discuss
the use of repetition in both songs. What effect does repetition have on the
reader or listener?
What
do the references to time and seasons in the Song suggest about human
experience and emotion?
In
what ways do the two songs illustrate the themes of safety versus danger?
Provide examples from the text.
How
does Coleridge use symbolism in the Song to explore ideas about love and loss?
Write
a brief summary of the “Hunting Song” and explain its role within the broader
narrative of Zapolya.
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