To
the Nightingale
by
Samuel Taylor Coleridge
(Poem, Summary, & Analysis)
To
the Nightingale
Sister
of love-lorn Poets, Philomel!
How
many Bards in city garret pent,
While
at their window they with downward eye
Mark
the faint lamp-beam on the kennell'd mud,
And
listen to the drowsy cry of Watchmen
(Those
hoarse unfeather'd Nightingales of Time!),
How
many wretched Bards address thy name,
And
hers, the full-orb'd Queen that shines above.
But
I do hear thee, and the high bough mark,
Within
whose mild moon-mellow'd foliage hid
Thou
warblest sad thy pity-pleading strains.
O! I
have listen'd, till my working soul,
Waked
by those strains to thousand phantasies,
Absorb'd
hath ceas'd to listen! Therefore oft,
I
hymn thy name: and with a proud delight
Oft
will I tell thee, Minstrel of the Moon!
'Most
musical, most melancholy' Bird!
That
all thy soft diversities of tone,
Tho'
sweeter far than the delicious airs
That
vibrate from a white-arm'd Lady's harp,
What
time the languishment of lonely love
Melts
in her eye, and heaves her breast of snow,
Are
not so sweet as is the voice of her,
My
Sara - best beloved of human kind!
When
breathing the pure soul of tenderness,
She
thrills me with the Husband's promis'd name!
Summary
To
the Nightingale by Samuel Taylor Coleridge is a lyrical poem in which the
speaker addresses the nightingale as a symbol of the melancholic muse for
poets, particularly those who are love-lorn. The speaker begins by calling the
nightingale the "sister of love-lorn Poets," referring to its
association with the sorrow and longing often expressed in poetry. The
reference to "Philomel" points to the myth of Philomela, a character
in Greek mythology who was transformed into a nightingale, forever associated
with themes of grief and unrequited love.
The
speaker then imagines the plight of poets living in cities, confined to small
garrets, looking out of their windows as they observe the mundane world—marked
by the faint glow of street lamps on the dirty streets. These poets, the
speaker notes, often listen to the "hoarse unfeather'd Nightingales of
Time"—the watchmen, whose cries echo through the night. These watchmen are
likened to nightingales, but unlike the bird's song, their calls are harsh and
devoid of beauty. In this image, the speaker highlights the contrast between
the real world and the idealized poetic world of beauty and longing.
The
speaker then shifts his attention to the nightingale itself. He hears it
singing from the high boughs of a tree, its song echoing through the moonlit
branches. The nightingale's melody is described as "sad" and
"pity-pleading," invoking a sense of sorrow that the speaker deeply
resonates with. The song stirs the speaker’s soul, awakening his imagination
and transporting him into a world of phantasies.
The
speaker continues by expressing his admiration for the nightingale, claiming
that its song is more beautiful than the music of a lady's harp, even though
that music is associated with the languishing expression of love. While the
music of the harp is sweet, the speaker insists that it is not as sweet as the
voice of his beloved, Sara, whom he refers to as "best beloved of human
kind." He believes that Sara’s voice, when expressing tenderness,
surpasses the nightingale’s song in its emotional depth, particularly when it
brings him the joy of hearing the "Husband's promis'd name."
Throughout
the poem, the nightingale's song serves as a symbol of poetic inspiration and
the ideal of melancholy beauty. However, the speaker ultimately asserts that
the voice of his beloved, Sara, transcends all other melodies, as it embodies
the profound joy and fulfillment that comes with love and commitment.
Analysis
in Detail
To
the Nightingale by Samuel Taylor Coleridge is a poem that reflects the themes
of melancholy, love, inspiration, and the contrast between idealized beauty and
reality. Through the symbolism of the nightingale, Coleridge explores the
relationship between poets and their muses, and ultimately, he elevates
personal love over the idealized representations of passion in poetry.
1.
The Nightingale as the "Sister of Love-Lorn Poets"
The
poem begins with a direct address to the nightingale, calling it the
"sister of love-lorn Poets." The nightingale, in literature and
mythology, is often a symbol of grief and longing, particularly in relation to
unrequited love. The term "love-lorn" suggests a sense of emotional
abandonment, and Coleridge connects the nightingale to this romantic sorrow
experienced by poets. This connection is established with the reference to
Philomel, a figure from Greek mythology who was transformed into a nightingale
after being wronged. By using Philomel, Coleridge emphasizes the bird’s
association with tragedy and the poet's expression of pain.
2.
The Poets in the City Garret
The
speaker then imagines the plight of poets living in urban environments,
confined to their garrets (attic rooms) in the city. This setting evokes a
sense of isolation, as the poet watches the world pass by below from his small,
cramped space. The description of the cityscape—"the faint lamp-beam on
the kennell'd mud"—paints a picture of urban decay and dullness. The
speaker’s view is limited to the harsh reality of city life, in stark contrast
to the idealized, emotional expressions of poetry.
The
watchmen, described as "hoarse unfeather'd Nightingales of Time,"
further underscore the grim reality. While the nightingale is traditionally a
symbol of beauty and musical expression, the watchmen are the
"unfeathered" version—devoid of the bird's sweetness and instead
harshly calling out through the night. These watchmen, though compared to
nightingales, represent the mundane, everyday realities that often stifle
creativity and romanticism in the lives of poets.
3.
The Poet’s Reaction to the Nightingale’s Song
The
poem then shifts its focus to the nightingale itself. The speaker hears the
bird’s song coming from a high bough, surrounded by the "mild
moon-mellow’d foliage." The use of "mild" and
"moon-mellow’d" emphasizes the gentle, serene nature of the
nightingale’s environment, creating an atmosphere of tranquility and beauty.
The bird’s song is described as "sad" and "pity-pleading,"
conveying a sense of sorrow that resonates with the speaker.
This
song awakens the speaker's soul to a world of "thousand phantasies,"
representing the deep, imaginative power of poetry and music. The nightingale’s
song serves as a muse, stirring the speaker’s inner world and creative
faculties. However, the intensity of the bird’s song is such that it eventually
"absorbs" the speaker, drawing him into a kind of trance where he
ceases to listen further. This suggests that the nightingale’s song has a
powerful, almost hypnotic effect on the poet, leading him to lose himself in
the world of imagination.
4.
The Nightingale vs. The Music of a Lady's Harp
The
speaker contrasts the nightingale’s song with the music that a lady might play
on her harp, especially when expressing the "languishment of lonely
love." The harp music is associated with the sweetness of love’s longing,
but the speaker claims that even the most beautiful harp music cannot match the
emotional depth and richness of the nightingale’s song. This contrast serves to
elevate the nightingale's song as more authentic and powerful than the
cultured, refined music of a lady’s harp.
However,
the speaker goes on to assert that even the nightingale’s voice, as beautiful
as it is, does not surpass the voice of his beloved, Sara. The nightingale’s
song represents idealized, universal longing and grief, but the speaker’s
personal love for Sara transcends all these abstractions. He declares that the
voice of Sara, when speaking the "Husband's promis'd name," is
sweeter than the nightingale’s song or the harp music. This personal connection
to Sara—his beloved—becomes the ultimate expression of love for the speaker,
replacing the idealized but distant concept of romantic longing that the
nightingale and harp represent.
5.
The Personal vs. The Universal
The
poem, overall, juxtaposes the personal and the universal. The nightingale’s
song represents the universal, sorrowful longing that poets often write about,
a longing that speaks to the heart of every love-lorn poet. Yet, Coleridge
shifts away from this broader idealization to emphasize a more personal,
grounded love—the love he shares with Sara. This personal love is seen as more
fulfilling and real than the general, poetic expressions of grief and
melancholy symbolized by the nightingale. Through this, Coleridge subtly
critiques the idealized and sometimes detached nature of poetic representations
of love, asserting that personal connection and emotional intimacy hold greater
significance.
6.
The Role of Music and Sound in the Poem
Throughout
the poem, music plays a central role. The nightingale’s song, the harp music,
and the voice of Sara are all forms of sound that express different aspects of
emotion. Coleridge uses these auditory symbols to explore the power of music
and sound in evoking emotional responses. The nightingale's song represents the
pure, untainted beauty of nature, while the harp’s music symbolizes the
cultural, refined expression of love. However, Sara’s voice transcends all of
these, representing the personal and intimate connection between the poet and
his beloved.
Conclusion:
The Triumph of Personal Love
In
the final lines, the speaker elevates his beloved Sara’s voice above all other forms
of musical expression. This culminates in a triumphant assertion that love,
when personal and true, surpasses all artistic representations of love and
longing. Coleridge shifts from the universal symbolism of the nightingale to a
celebration of the real, intimate love between the speaker and Sara. The poem,
thus, becomes an exploration not only of the nightingale as a muse but also of
the deeper, more fulfilling emotions found in personal relationships.
In
summary, To the Nightingale presents a poetic meditation on the nature of love,
creativity, and inspiration. Coleridge contrasts idealized, universal
expressions of longing with the deeper, more meaningful personal love he
experiences with his beloved, Sara. Through the nightingale, the poem reflects
on the poet's emotional and creative response to the world around him,
ultimately finding fulfillment in real, personal love over abstract, poetic
representations of sorrow and longing.
Key
Exam Points
1.
Theme of Love and Longing
The
poem explores the themes of love, longing, and melancholy.
The
nightingale symbolizes universal sorrow and the melancholic longing often
expressed in poetry, particularly by poets who are in unrequited love.
The
poem contrasts idealized, poetic love with personal, intimate love, represented
by the speaker’s beloved, Sara.
2.
Symbolism of the Nightingale
The
nightingale is a traditional symbol of sorrow and longing in poetry,
particularly for love-lorn poets.
The
reference to Philomel (the mythological character transformed into a
nightingale) reinforces the bird's association with tragedy and grief.
3.
Poets in the City Garret
The
poem opens with an image of poets confined to their small city garrets,
observing the world from their windows.
The
"hoarse unfeather'd Nightingales of Time" (watchmen) symbolize the
harsh, mundane reality of the poet’s life, in contrast to the romantic and
idealized world of the nightingale’s song.
4.
The Power of the Nightingale’s Song
The
nightingale’s song is described as sad and pity-pleading, evoking a sense of
sorrow that the speaker feels deeply.
The
song stirs the poet's imagination, prompting him to reflect on his own feelings
and fantasies. It demonstrates the inspirational role of music and nature in
the creative process.
5.
Contrast with the Lady’s Harp
The
speaker compares the nightingale’s song with the harp music of a lady, which
symbolizes the sweet but superficial expression of love.
While
the harp music reflects the languishment of lonely love, the nightingale’s song
is more genuine, deep, and universal in its expression of sorrow.
6.
Personal Love for Sara
In
the poem's climax, the speaker elevates the voice of his beloved Sara above all
other musical expressions, asserting that her voice, when expressing tenderness
and love, surpasses the nightingale's song.
This
reflects the triumph of personal, real love over idealized or abstract
representations of love in poetry.
7.
The Shift from Universal to Personal
Coleridge
moves from the universal symbol of the nightingale (representing idealized
sorrow) to a personal and individual love, emphasizing that true love, as felt
for Sara, is more meaningful than any poetic symbol or representation.
8.
Imagery and Musicality
The
poem is rich in musical and auditory imagery, using the nightingale's song,
harp music, and Sara's voice to explore the emotional effects of sound and
music.
The
use of moonlit imagery ("moon-mellow'd foliage") sets a serene and
contemplative mood, enhancing the poem's focus on emotional and creative
response.
9.
Poetic Form and Structure
The
poem is a lyrical address to the nightingale, written in a romantic style with
a focus on emotions, nature, and personal reflection.
The
flow of thought moves from a universal contemplation of the nightingale’s song
to a personal reflection on love and intimacy.
10.
Tone and Mood
The
tone is a mixture of melancholy (as the nightingale represents sorrow) and
affectionate admiration for the bird’s song.
By
the end of the poem, the tone shifts to joy and celebration of personal love,
particularly in the speaker’s adoration of Sara.
Revision
Sheet
Title:
To the Nightingale
Author:
Samuel Taylor Coleridge
Type:
Lyrical Poem
Themes:
Love, Longing, Melancholy, Inspiration, The Contrast between Idealized and
Personal Love
Key
Themes
Melancholy
and Longing:
The
nightingale symbolizes the universal sadness and longing often associated with
poets, particularly those in unrequited love.
The
bird's song is connected to sorrow and emotional expression, a recurring theme
in poetry.
The
Role of the Nightingale in Poetry:
The
nightingale is often used as a symbol of melancholy, grief, and romantic
longing in poetry.
Coleridge
invokes Philomel, a figure from Greek mythology, linking the nightingale to
deep emotional suffering and tragedy.
Idealized
vs. Personal Love:
The
speaker contrasts the nightingale's idealized, universal song of sorrow with
his personal, intimate love for Sara.
While
the nightingale’s song represents a broad, poetic concept of love, the speaker
argues that his love for Sara is more meaningful and powerful than any
abstraction.
Poetic
Devices
Symbolism:
The
nightingale symbolizes the idealized muse for poets—particularly those who are
in love or experiencing sorrow.
Philomel
represents the connection between myth, nature, and sorrowful love.
Imagery:
Moonlit
imagery and descriptions like "moon-mellow’d foliage" create a
serene, melancholic atmosphere that enhances the nightingale’s song as
something pure and poignant.
City
imagery of "faint lamp-beams" and "kennell’d mud" reflects
the isolation and mundanity of urban life, contrasting sharply with the
idealized beauty of nature.
Contrast:
The
nightingale's sweet, natural song is contrasted with the "hoarse
unfeather'd Nightingales of Time" (watchmen), emphasizing the difference
between idealized beauty and the harshness of reality.
The
speaker compares the nightingale’s song to a lady’s harp, suggesting that while
the harp’s music is beautiful, it does not carry the emotional depth of the
nightingale’s voice or his own personal love for Sara.
Tone:
The
tone of the poem shifts from melancholy and longing to a more celebratory and
triumphant tone when the speaker expresses the superiority of Sara’s voice over
all others.
Poem
Structure and Form
Lyrical
Style: The poem is written in a reflective, emotional tone, typical of Romantic
poetry.
Rhyme
Scheme: The poem follows a regular rhyme scheme, contributing to its musical
quality.
Flow
of Thought: The poem moves from universal reflections on the nightingale's song
to the personal realization of the speaker’s love for Sara.
Important
Imagery
Nightingale's
Song: Represents poetic inspiration and universal sorrow.
Moonlit
Branches: The nightingale sings from a high bough, symbolizing purity, nature,
and emotional release.
Cityscape:
The imagery of a city garret, with watchmen and streetlamps, contrasts with the
beauty of nature and serves as a metaphor for the mundane reality of the poet's
life.
Sara’s
Voice: The speaker ultimately elevates his personal love for Sara, seeing her
voice as superior to the nightingale's or the lady’s harp.
Characterization
of the Nightingale
Idealized
Muse: The nightingale represents the unattainable, idealized muse of many
poets. It is associated with poetic suffering and the universal expression of
sorrow and longing.
Contrast
to Real Life: The contrast between the nightingale’s beautiful song and the
harsh reality of the poet’s life in the city emphasizes the gap between
idealized beauty and the mundane struggles of life.
Personal
Love vs. Universal Sorrow
Sara’s
Voice: The speaker reveals that while the nightingale’s song and the lady’s
harp may be beautiful, the voice of Sara, his beloved, is far sweeter. This
suggests that personal, authentic love is more fulfilling and transcendent than
the idealized love often expressed in poetry.
Celebration
of Personal Love: The poem concludes with a celebration of personal love. The
speaker’s love for Sara is deeply rooted in the emotional fulfillment of a
committed relationship, far surpassing abstract, poetic longing.
Final
Message
The
poem shifts the focus from the universal symbols of poetic suffering
(represented by the nightingale) to the personal, intimate love between the
speaker and Sara. This love is seen as more fulfilling and real than any
external, idealized representations of love or longing.
Possible
Exam Questions
What
is the central theme of Samuel Taylor Coleridge's To the Nightingale?
Explain
the symbolism of the nightingale in the poem. How does Coleridge use it to
explore the themes of love and melancholy?
How
does the speaker contrast the nightingale's song with other forms of musical
expression in the poem?
Discuss
the use of imagery in To the Nightingale. How does Coleridge use imagery to
enhance the themes of the poem?
What
role does contrast play in the poem? Provide examples of contrasts found in the
poem.
Explain
how Coleridge uses musical imagery in the poem. How do the various musical
symbols (e.g., nightingale’s song, harp music, Sara's voice) contribute to the
overall meaning of the poem?
How
does Coleridge personify the nightingale in the poem? What does the nightingale
represent in terms of poetic inspiration and universal longing?
How
does the speaker’s personal love for Sara affect the overall tone and message
of the poem?
What
role does Sara play in the poem, and how does she contrast with the nightingale
as a source of inspiration?
How
does the structure of the poem reflect the development of the speaker’s
thoughts and emotions?
Examine
the rhyme scheme and meter in To the Nightingale. How do these formal elements
contribute to the mood of the poem?
What
does the poem suggest about the relationship between universal sorrow
(represented by the nightingale) and personal love?
How
does Coleridge challenge the idealized notions of love commonly found in
poetry? Use examples from the poem to support your answer.
How
does Coleridge use classical mythology, particularly the reference to Philomel,
to deepen the emotional impact of the poem?
Discuss
the significance of the phrase "hoarse unfeather'd Nightingales of
Time" in the context of the poem. What does it imply about the role of
poets and watchmen in society?
How
does the tone of the poem evolve from the beginning to the end? What emotions
does the speaker experience throughout the poem?
Describe
the mood created by the imagery of the "moon-mellow'd foliage" and
the "city garret." How does this contrast enhance the themes of the
poem?

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