The
Raven. Christmas Tale, Told By A School-Boy To His Little Brothers And Sisters
by
Samuel Taylor Coleridge
(Poem, Summary, & Analysis)
The
Raven. Christmas Tale, Told By A School-Boy To His Little Brothers And Sisters
Underneath
an old oak tree
There
was of swine a huge company
That
grunted as they crunched the mast
For
that was ripe, and fell full fast.
Then
they trotted away, for the wind grew high:
One
acorn they left, and no more might you spy.
Next
came a Raven, that liked not such folly
He
belonged, they did say, to the witch Melancholy!
Blacker
was he than blackest jet,
Flew
low in the rain, and his feathers not wet
He
picked up the acorn and buried it straight
By
the side of a river both deep and great.
Where
then did the Raven go?
He
went high and low
Over
hill, over dale, did the black Raven go.
Many
Autumns, many Springs
Traveled
he with wandering wings:
Many
summers, many Winters
I
can't tell half his adventures.
At
length he came back, and with him a She
And
the acorn was grown to a tall oak tree.
They
built them a nest in the topmost bough,
And
young ones they had, and were happy enow.
But
soon came a Woodman in leathern guise,
His
brow, like a pent-house, hung over his eyes.
He'd
an axe in his hand, not a word he spoke,
But
with many a hem! and a sturdy stroke,
At
length he brought down the poor Raven's own oak.
His
young ones were killed; for they could not depart,
And
their mother did die of a broken heart.
The
boughs from the trunk the Woodman did sever;
And
they floated it down on the course of the river.
They
sawed it in planks, and its bark they did strip,
And
with this tree and others they made a good ship.
The
ship, it was launched; but in sight of the land
Such
a storm there did rise as no ship would withstand.
It
bulged on a rock, and the waves rush'd in fast;
Round
and round flew the Raven, and cawed to the blast.
He
heard the last shriek of the perishing souls--
See!
see! o'er the topmast the mad water rolls!
Right
glad was the Raven, and off he went fleet,
And
Death riding home on a cloud he did meet,
And
he thank'd him again and again for this treat:
They
had taken his all; and Revenge it was sweet!
Summary
The
poem begins beneath an ancient oak tree, where a large group of swine is busy
feeding on fallen acorns. They crunch and grunt as they eat the mast (fallen
nuts), which has ripened and is falling rapidly. However, as the wind begins to
blow stronger, the pigs scatter, leaving behind just a single acorn.
At
this point, a raven appears—a bird known not to follow such foolish creatures
as the swine. It is said that this raven is associated with a mysterious figure
known as the witch Melancholy. The raven is described as blacker than the
blackest jet, and although it flies low in the rain, the rain doesn’t seem to
wet its feathers. The raven picks up the lone acorn and buries it beside a wide
and deep river.
The
narrator then questions where the raven went after this. The raven flies over
hills and valleys, through many seasons—autumns, springs, summers, and
winters—covering a long span of time in his wanderings. The narrator admits he
cannot recount even half of the raven’s adventures.
Eventually,
the raven returns, and this time he is not alone. He brings with him a female
raven. By now, the acorn he had buried has grown into a tall oak tree. The pair
build a nest in the highest branch of the tree, and soon they have chicks and
live a happy life together.
However,
their happiness is short-lived. A woodman arrives, clad in leather, with a
heavy brow shadowing his eyes like a penthouse. He carries an axe and says
nothing. After grunting and delivering repeated blows with his axe, he chops
down the oak tree—the very one that had grown from the raven's acorn and now
housed his family.
Tragically,
the young birds are killed because they cannot fly away, and the mother raven
dies of grief. The woodman cuts the boughs from the trunk, and the tree is
floated down the river. It is sawed into planks and stripped of its bark. Along
with timber from other trees, it is used to build a large ship.
The
ship is launched and sets sail, but it soon encounters a terrible storm near
the land. The storm is so violent that no ship could survive it. The vessel
crashes on a rock, and water floods in. The raven, now circling overhead,
screeches through the storm. He hears the last cries of the people drowning as
the sea rolls over the ship’s highest mast.
Filled
with satisfaction, the raven flies away quickly. On his flight, he encounters
Death riding home on a cloud. The raven repeatedly thanks Death for the
destruction of the ship. The raven is pleased because those who had taken
everything from him—the oak, the nest, his family—are now destroyed. The poem
ends with the dark note that revenge has been achieved, and to the raven, it is
sweet.
Analysis
in Detail
This
poem, despite being called a “Christmas Tale,” diverges from the warmth and joy
traditionally associated with such stories. Instead, it carries a grim,
cautionary tone woven into a fable-like narrative. It explores themes of loss,
destruction, and revenge, all told with a rhythmic and lyrical flow, as if
meant to both enchant and disturb its youthful listeners.
Though
framed as a story told by a schoolboy to younger siblings, the poem uses dark
Romantic imagery and symbols—especially the raven, the oak tree, and death—to
build a tale that feels like a moral fable or allegorical myth.
Stanza
1–2: Swine and the Acorn – Folly and Opportunity
The
poem opens with a group of swine feeding greedily beneath an oak tree,
consuming fallen mast (acorns). They rush off when the wind rises, leaving just
one acorn behind. This image symbolizes mindless consumption and
short-sightedness—the swine represent those who indulge without thought for the
future.
Then
enters the raven, a creature of foresight and melancholy, rejecting the swine’s
foolish behavior. He claims the leftover acorn and plants it by a river, an act
of deliberate intention and vision. This sets up the raven as a more
intelligent, reflective character, a symbol of wisdom, memory, and perhaps
sadness.
The
fact that the raven is said to belong to “the witch Melancholy” underlines the
gothic tone and establishes a supernatural aura around him. His black feathers
that stay dry in rain add to the mystique—he is otherworldly, a familiar of
grief.
Stanzas
3–4: Passage of Time and Domestic Joy
These
stanzas describe the raven's long journey—traveling over hill and dale, through
the changing seasons—before returning with a mate. The acorn has now grown into
a mighty oak tree, symbolic of time, growth, patience, and nurturing.
Together,
the raven and his partner make a home in the tree, raise young ones, and live
in peace. This domestic scene reflects hope, continuity, and fulfillment—a
reward for the raven’s earlier act of faith in planting the acorn. Yet the
happiness is fleeting, setting up the poem’s tragic turn.
Stanzas
5–6: Destruction by Man
The
entry of the woodman changes the tone dramatically. He is described in ominous
detail—silent, rough, almost emotionless. His presence is brutal and symbolic
of industrial destruction or the careless cruelty of humanity. He fells the
very tree that had become the raven’s home, killing the chicks and breaking the
heart of the mother raven.
This
act is not just physical destruction—it represents the shattering of a life
built with care and time. The woodman’s indifference makes it all the more
tragic. He doesn’t kill out of malice, but out of thoughtless force,
representing the destructive side of human progress or even fate.
Stanzas
7–8: Transformation and Catastrophe
The
dead oak is repurposed—cut, floated, and sawed into planks to build a ship. The
tree that was once home and life becomes a vehicle of human ambition. But the
ship never reaches safety; it is destroyed by a violent storm. This may
symbolize the futility of human endeavors built on destruction and suffering.
As
the ship sinks, the raven circles above, not with grief but with vindication.
He hears the screams of the drowning, and rather than mourn, he caws to the
storm—a voice of cosmic justice or wrath.
Final
Stanza: Revenge and Death
In
the last stanza, the raven meets Death, riding home on a cloud. The raven
thanks Death joyfully, again and again. This is a powerful and unsettling
image: Death is personified not as fearsome but as an ally, a bringer of
revenge. The raven's thanks reveal that revenge has overtaken grief. The loss
of his home and family has left him hollow, and now vengeance fills the void.
There’s
an eerie satisfaction in this ending—revenge is “sweet,” but it leaves a
haunting aftertaste. The raven’s transformation from a hopeful, nesting father
to an agent of death reflects how trauma and loss can distort a soul.
Narrative
Voice and Irony
The
irony of the poem lies in its title and narrator—a schoolboy telling this grim,
vengeful tale to younger siblings on Christmas. This contrast heightens the
poem’s eerie quality. The child’s voice frames the tale as a moral story, yet
its dark emotional undercurrents and complex symbolism suggest much deeper
meaning—likely for the adult reader.
Conclusion
The
Raven is a richly layered poem that blends gothic imagery, fable-like
storytelling, and Romantic symbolism. It charts a journey from hope to horror,
creation to destruction, love to vengeance. Through the raven’s life and loss,
Coleridge explores the deep emotional currents of grief, injustice, and the
corrosive power of revenge—all under the guise of a tale for children. The
final image of the raven rejoicing in death is unforgettable: a powerful
reminder of what becomes of love when stripped of all it holds dear.

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