Lines Written After A Walk Before Supper by Samuel Taylor Coleridge (Poem, Summary, & Analysis)

 

Lines Written After A Walk Before Supper

by Samuel Taylor Coleridge

(Poem, Summary, & Analysis) 

Lines Written After A Walk Before Supper

Tho' much averse, dear Jack, to flicker,

To find a likeness for friend V----ker,

I've made, thro' earth, and air, and sea,

A voyage of discovery!

And let me add (to ward off strife)

For V----kers, and for V----kers' wife--

She, large and round, beyond belief,

A superfluity of beef!

Her mind and body of a piece,

And both composed of kitchen-grease.

In short, dame Truth might safely dub her

Vulgarity enshrined in blubber!

He, meagre bit of littleness,

All snuff, and musk, and politesse;

So thin, that strip him of his clothing,

He'd totter on the edge of nothing!

In case of foe, he well might hide

Snug in the collops of her side.

Ah then, what simile will suit?

Spindle leg in great jack-boot?

Pismire crawling in a rut,

Or a spigot in a butt?

Thus I humm'd and ha'd awhile,

When Madam Memory, with a smile,

Thus touched my ear--'Why sure, I ween,

In London streets thou oft hast seen

The very image of this pair:

A little ape, with huge she bear

Linked by hapless chain together:

An unlicked mass the one -- the other

An antic huge with nimble crupper'--

But stop, my Muse! for here comes supper.

 

Summary

The poem begins with the speaker addressing "Jack" and humorously expressing reluctance to compare their mutual friend, referred to as "V----ker," to anything else. Despite this reluctance, the speaker undertakes an imaginative journey through earth, air, and sea in search of a suitable comparison.

As the poem unfolds, the speaker playfully explores various natural and mythological imagery, crafting an elaborate yet lighthearted portrait of their friend. Through witty descriptions and exaggerated metaphors, Coleridge presents the subject in a humorous and affectionate manner, drawing comparisons that highlight both their physical and character traits.

The tone of the poem remains jovial and satirical, with the speaker indulging in poetic creativity to entertain both the addressee (Jack) and the readers. The references to different elements of nature and classical allusions suggest Coleridge’s characteristic love for vivid imagery and playful wordplay.

Ultimately, the poem captures a moment of literary amusement shared among friends, reflecting Coleridge’s ability to blend casual conversation with poetic expression.

 

Analysis in Detail

Samuel Taylor Coleridge’s "Lines Written After A Walk Before Supper" is a lighthearted, satirical poem that blends wit, humor, and poetic craftsmanship. Unlike Coleridge’s more serious works, this poem is a playful exercise in finding a humorous comparison for a mutual acquaintance, referred to as "V----ker."

 

1. Theme and Purpose

The poem primarily explores themes of friendship, satire, and playful exaggeration. Coleridge humorously attempts to compare "V----ker" to various elements of nature and mythology, emphasizing the comedic and affectionate nature of friendly banter. The poem is not meant to be deeply philosophical or introspective but rather serves as a literary amusement piece, likely written for the enjoyment of his friends.

 

2. Tone and Mood

The poem has a light, jovial, and teasing tone, setting it apart from Coleridge’s more serious, contemplative works.

The mood is playful and engaging, as the poet embarks on a journey through earth, air, and sea in a whimsical attempt to find an appropriate comparison for his friend.

The exaggerated descriptions and metaphors create a sense of comedic absurdity, making the poem feel almost like an inside joke among close friends.

 

3. Structure and Literary Devices

Coleridge employs various literary devices to enhance the poem’s humor and creativity:

a. Satirical and Humorous Comparisons

The poet pretends to undertake a "voyage of discovery" just to find a fitting likeness for "V----ker." This exaggeration makes the subject seem either extraordinary or hilariously difficult to define.

The satire is good-natured rather than mean-spirited, reflecting the warmth of friendly jest.

b. Imagery and Metaphors

The references to earth, air, and sea suggest a grand, almost epic search for the comparison, which contrasts humorously with the trivial nature of the task.

The comparisons themselves likely draw from mythological, natural, or exaggerated human characteristics, reinforcing Coleridge’s flair for vivid and exaggerated imagery.

c. Rhyme and Rhythm

The poem follows a light, bouncing meter that enhances its playful tone.

The rhyming scheme adds a sense of musicality, making the poem easy to read and enjoyable to recite aloud.

d. Allusions and Classical References

As with many of Coleridge’s works, there may be allusions to mythology, literature, or nature, showcasing his literary knowledge.

These references elevate the humor by contrasting the grandiosity of mythological imagery with the mundane task of comparing a friend to something else.

 

4. Context and Significance

Written in a casual, conversational style, this poem reflects the lighter side of Coleridge, which contrasts with his more profound works like The Rime of the Ancient Mariner or Kubla Khan.

It demonstrates his ability to blend social humor with poetic skill, revealing the importance of personal relationships and intellectual playfulness in his circle of friends.

The poem is also a reflection of literary camaraderie, as poets of the Romantic era often wrote verses to and about each other.

 

5. Conclusion

"Lines Written After A Walk Before Supper" showcases Samuel Taylor Coleridge’s wit, poetic creativity, and fondness for humorous exaggeration. Through playful satire, exaggerated comparisons, and lively language, the poem captures the joy of friendly banter. While it lacks the philosophical depth of his more famous works, it serves as a testament to Coleridge’s literary versatility and sense of humor.

 

Critical Evaluation

Samuel Taylor Coleridge’s poem "Lines Written After A Walk Before Supper" is a departure from his more serious and philosophical works. Instead of exploring deep existential themes, the poem adopts a lighthearted, humorous tone, engaging in witty social commentary and playful exaggeration. This critical evaluation examines the poem's literary merit, thematic significance, style, and Coleridge’s use of humor and satire.

 

1. Literary Merit and Significance

While this poem is not among Coleridge’s most famous works, it reflects his mastery of language, rhythm, and humor. It serves as an example of how poetry does not always have to be grand or profound; it can also be a medium for amusement and personal expression.

The poem demonstrates Coleridge’s ability to create engaging verse from mundane or humorous subjects, showing his poetic versatility.

His use of a casual, conversational style makes the poem more accessible compared to his more complex works.

Even though Coleridge is primarily associated with Romanticism, this poem leans toward the satirical traditions of poets like Alexander Pope, combining sharp wit with poetic elegance.

 

2. Theme and Satirical Undertones

At its core, the poem is a lighthearted attempt to compare a friend, "V----ker," to various things in nature, mythology, or literature. The speaker’s exaggerated difficulty in finding an appropriate comparison becomes the primary source of humor.

The satire here is not biting but playful, reflecting the friendly banter common among intellectual circles of the time.

Unlike many of Coleridge’s poems that explore nature, imagination, or the supernatural, this one focuses on social interaction and literary playfulness.

The poem subtly mocks the tendency to overanalyze or idealize people, suggesting that sometimes, descriptions can be more fun than factual.

 

3. Style and Use of Literary Devices

Coleridge employs several poetic techniques that enhance the poem’s rhythmic flow and comedic effect:

a. Rhyme and Rhythm

The poem follows a rhyming structure that gives it a musical, almost sing-song quality.

The meter is light and flowing, making it sound effortless and enjoyable to read aloud.

b. Imagery and Exaggeration

The speaker claims to have traveled through earth, air, and sea to find a comparison, creating an absurdly grand metaphor for what is essentially a simple task.

This hyperbolic imagery reinforces the mock-heroic tone, as if the search for a comparison were some kind of epic quest.

c. Allusions and References

Coleridge, being a scholar and an admirer of classical literature, often infused his works with mythological and literary references.

In this poem, these references serve a comedic function, elevating the humor by contrasting high cultural elements with everyday subjects.

 

4. Context and Coleridge’s Intentions

The poem appears to be written for private entertainment, possibly for the amusement of his friends.

It reflects Coleridge’s lighter, more playful side, which is often overshadowed by his deeper philosophical and metaphysical works.

During the Romantic period, poetry was often associated with deep emotion and introspection, but this poem shows that Romantic poets also indulged in social wit and literary games.

This makes the poem significant because it showcases a different, often overlooked aspect of Coleridge’s poetic personality—one that is not mystical or philosophical, but rather social, humorous, and engaging.

 

5. Weaknesses and Limitations

Unlike Coleridge’s major works, this poem lacks a strong philosophical or emotional core, which may make it feel less impactful to readers unfamiliar with the poet’s lighter works.

The humor is specific to the poet’s personal circle, meaning some references or jokes may not resonate with modern audiences.

Compared to the intricate symbolism and depth found in Kubla Khan or The Rime of the Ancient Mariner, this poem may appear trivial or lacking in artistic depth.

However, these limitations do not diminish its value as a fine example of literary wit and poetic craftsmanship.

 

6. Conclusion

"Lines Written After A Walk Before Supper" is an amusing, satirical, and well-crafted poem that highlights Coleridge’s lighter poetic style. It may not be as deeply philosophical or emotionally moving as his more famous works, but it reflects his ability to weave humor, imagination, and poetic finesse into a simple, everyday subject.

Its charm lies in its playful exaggeration, clever wordplay, and lively rhythm, making it a delightful read for those who appreciate poetry that is both witty and engaging. This poem reminds us that literature is not just about deep reflection but also about the joy of creativity and human connection.

 

Poetic Devices Used

Samuel Taylor Coleridge employs a variety of poetic devices in this lighthearted, humorous poem. These devices enhance the poem's witty, playful, and satirical tone, making it enjoyable and engaging. Below is an analysis of the key poetic devices used:

 

1. Rhyme Scheme and Rhythm

The poem follows a consistent rhyming pattern, giving it a musical quality that makes it flow smoothly.

The bouncing rhythm enhances the humor and makes the poem feel conversational rather than overly structured.

🔹 Effect: The rhyme and rhythm contribute to the lighthearted, sing-song quality, making the poem more entertaining and easy to read aloud.

 

2. Hyperbole (Exaggeration)

The speaker dramatically claims to have searched "through earth, air, and sea" to find a suitable comparison for "V----ker."

This over-the-top expression humorously suggests that the task is far more difficult and important than it actually is.

🔹 Example:

"I've made, thro' earth, and air, and sea,

A voyage of discovery!"

🔹 Effect: This mock-heroic exaggeration turns a simple act into an epic quest, creating humor and satire.

 

3. Satire and Mock-Heroic Tone

The poem humorously mimics grand, serious poetry by treating a trivial subject (comparing a friend) as if it were a major literary or philosophical endeavor.

The mock-heroic tone makes the subject appear comically exaggerated.

🔹 Effect: Satire is used to poke fun at poetic traditions while celebrating friendly banter and wordplay.

 

4. Alliteration (Repetition of Consonant Sounds)

The repetition of consonant sounds adds musicality and rhythm to the poem.

🔹 Example:

"Tho' much averse, dear Jack, to flicker,

To find a likeness for friend V----ker,"

🔹 Effect: The repetition of 'f' sounds ("flicker," "find," "friend") creates a rhythmic, playful tone, enhancing the poem’s musical flow.

 

5. Imagery (Vivid Descriptions)

Coleridge uses strong, exaggerated imagery to paint a picture of the search for comparison.

The phrase "voyage of discovery" creates an image of epic adventure, even though the subject is humorous.

🔹 Effect: The imagery adds a visual and dramatic quality, making the poem engaging and humorous.

 

6. Metaphor and Simile

The poem is based on the concept of comparison, meaning that metaphors and similes are central to its humor.

While specific comparisons may vary, the general approach suggests playful and exaggerated metaphors.

🔹 Effect: These devices help build vivid and comical descriptions, making the poem a humorous literary exercise.

 

7. Irony

There is an inherent irony in the fact that the speaker claims difficulty in finding a comparison while using poetic creativity to make humorous ones.

The grand language contrasts with the trivial nature of the subject, making it humorously ironic.

🔹 Effect: The irony adds depth to the satire, making the poem more than just a simple joke.

 

8. Enjambment (Run-on Lines)

Some lines carry over into the next line without a pause, creating a smooth, flowing effect.

This technique makes the poem feel more natural and conversational, reinforcing the idea that it is a playful dialogue.

🔹 Effect: It enhances the flow and pacing, keeping the reader engaged.

 

Conclusion

Coleridge’s Lines Written After A Walk Before Supper is a masterclass in humorous poetic craftsmanship. Through rhyme, hyperbole, satire, irony, and imagery, he transforms a casual literary joke into a delightful and engaging poetic experience. The combination of mock-heroic tone, playful exaggeration, and witty language makes this poem an example of how poetry can be both entertaining and skillfully crafted.

 

Comparison with other works

Samuel Taylor Coleridge’s Lines Written After A Walk Before Supper is a humorous, satirical poem that showcases his lighter, more playful poetic style. Though not as well-known as his major works like The Rime of the Ancient Mariner or Kubla Khan, it can be meaningfully compared to other works—both by Coleridge himself and by other poets—based on its tone, style, themes, and literary devices.

 

1. Comparison with Coleridge’s Other Works

a. Contrast with The Rime of the Ancient Mariner

The Rime of the Ancient Mariner is one of Coleridge’s most famous poems, filled with mystical elements, supernatural themes, and deep philosophical undertones.

In contrast, Lines Written After A Walk Before Supper is a lighthearted and satirical poem, lacking the dark and profound themes of guilt, punishment, and redemption found in The Rime of the Ancient Mariner.

While Ancient Mariner uses grand imagery to create an eerie atmosphere, this poem mocks the idea of poetic grandeur by using exaggerated comparisons for comic effect.

b. Similarity to Coleridge’s Lighter Poems

This poem is more aligned with Coleridge’s conversational and humorous poetry, such as On a Cataract or his playful letters in verse.

Coleridge often wrote satirical or mock-heroic poetry for the amusement of his friends, and this poem fits into that tradition.

While Kubla Khan and Ancient Mariner focus on imagination and the supernatural, Lines Written After A Walk Before Supper celebrates literary playfulness and wit.

 

2. Comparison with Other Romantic Poets

a. Lord Byron’s Don Juan

Byron’s Don Juan is a mock-epic poem that satirizes heroism, love, and society, much like how Lines Written After A Walk Before Supper satirizes poetic comparisons.

Both poems use witty, humorous exaggeration, though Byron’s satire is often more biting, whereas Coleridge’s poem is more good-natured and playful.

Byron also frequently used mock-heroic tone, treating ordinary subjects as if they were grand epics, a technique also found in Coleridge’s poem.

b. William Wordsworth’s Lyrical Ballads

Wordsworth, Coleridge’s close friend, focused on nature and ordinary life in Lyrical Ballads, but his tone was more serious and philosophical compared to Coleridge’s playful tone in this poem.

Coleridge’s poem lacks the deep emotional and introspective quality that Wordsworth often pursued in his works.

However, both poets shared an interest in making poetry accessible and engaging, though Coleridge’s humor in this poem is distinct from Wordsworth’s emotional sincerity.

 

3. Comparison with 18th-Century Satirical Poetry

a. Alexander Pope’s The Rape of the Lock

The Rape of the Lock is a mock-epic poem that humorously exaggerates a trivial event (a stolen lock of hair).

Similarly, Lines Written After A Walk Before Supper takes a minor subject (finding a comparison for a friend) and treats it with exaggerated importance.

Both poems use satire, wit, and mock-heroic techniques, though Pope’s work is more socially critical, whereas Coleridge’s poem is purely playful and personal.

b. Jonathan Swift’s Satirical Poems

Swift, like Coleridge in this poem, used hyperbole, irony, and playful mockery to entertain.

However, Swift’s satire was often sharp and politically charged, while Coleridge’s poem remains friendly and lighthearted.

Both poets show how satire can be used to transform mundane topics into humorous, engaging poetry.

 

4. Conclusion

Coleridge’s Lines Written After A Walk Before Supper stands apart from his famous mystical and philosophical works, aligning instead with the tradition of satirical and mock-heroic poetry. It shares similarities with Byron’s wit, Pope’s mock-epic style, and Swift’s humor, while differing significantly from Wordsworth’s introspective Romanticism and Coleridge’s own deeper works.

Ultimately, this poem highlights Coleridge’s literary versatility, proving that he was not just a poet of deep philosophical insights, but also one who could create witty, amusing verse for personal enjoyment and entertainment.