Composed
At Clevedon, Somersetshire
by
Samuel Taylor Coleridge
(Poem, Summary, & Analysis)
Composed At Clevedon, Somersetshire
My
pensive Sara, thy soft cheek reclined
Thus
on mine arm, most soothing sweet it is
To
sit beside our cot, our cot o'ergrown
With
white-flowered jasmine and the broad-leaved myrtle
(Meet
emblems they of innocence and love),
And
watch the clouds that late were rich with light
Slow-sad'ning
round, and mark the star of eve
Serenely
brilliant (such should wisdom be)
Shine
opposite! How exquisite the scents
Snatched
from yon bean-field! And the world so hushed!
The
stilly murmur of the distant sea
Tells
us of silence. And that simplest lute
Placed
lengthways in the clasping casement-hark
How
by desultory breeze caressed!
Like
some coy maid half-yielding to her lover,
It
pours such sweet upbraidings as must needs
Tempt
to repeat the wrong. And now its strings
Boldlier
swept, the long sequacious notes
Over
delicious surges sink and rise,
Such
a soft floating witchery of sound
As
twilight elfins make when they at eve
Voyage
on gentle gales from fairyland,
Where
melodies round honey-dropping flowers
Footless
and wild, like birds of paradise,
Nor
pause nor perch, hov'ring on untamed wing.
And
thus, my love, as on the midway slope
Of
yonder hill I stretch my limbs at noon,
Whilst
through my half-closed eyelids I behold
The
sunbeams dance, like diamonds, on the main,
And
tranquil muse upon tranquility,
Full
many a thought uncalled and undetained,
And
many idle flitting fantasies
Traverse
my indolent and passive brain-
As
wild and various as the random gales
That
swell and flutter on this subject lute!
And
what if all of animated nature
Be
but organic harps diversely framed,
That
tremble into thought, as o'er them sweeps,
Plastic
and vast, one intellectual breeze,
At
once the soul of each, and God of all?
But
thy more serious eye a mild reproof
Darts,
oh beloved woman!-nor such thoughts
Dim
and unhallowed dost thou not reject,
And
biddest me walk humbly with my God.
Meek
daughter in the family of Christ,
Well
hast thou said and holily dispraised
These
shapings of the unregenerate mind,
Bubbles
that glitter as they rise and break
On
vain philosophy's aye-babbling spring.
For
never guiltless may I speak of Him,
Th'Incomprehensible!
save when with awe
I
praise him, and with faith that inly feels-
I
praise him, and with faith that inly feels-
Who
with his saving mercies healed me,
A
sinful and most miserable man
Wildered
and dark, and gave me to possess
Peace,
and this cot, and the, heart-honoured maid!
Aug.
20th, 1795
Summary
The
poem is an affectionate and tender address to Coleridge’s wife, Sara, as they
spend a tranquil moment together in their home at Clevedon. The poet begins by
describing the peacefulness of their surroundings. He finds great joy and
comfort in sitting beside their cottage, which is beautifully adorned with
jasmine and myrtle—symbols of innocence and love. With his wife’s cheek resting
gently on his arm, he experiences a soothing sense of contentment.
As
they watch the sky, Coleridge observes the clouds, which had recently been
illuminated by the setting sun but are now fading into darkness. This
transition from light to nightfall sets a reflective and serene mood. He
describes the landscape around them—the sea in the distance, the nearby hills,
and the countryside enveloped in evening stillness. The gentle sound of the
waves enhances the sense of peace and harmony.
Coleridge
then shifts his focus to the natural beauty surrounding their home. He speaks
of the moon rising over the sea, casting a silver glow on the water. The sounds
of nature, such as the rustling leaves and the murmuring tide, add to the calm
and meditative atmosphere. The poet feels deeply connected to the place, as it
offers both physical beauty and emotional fulfillment.
Towards
the end of the poem, Coleridge expresses his gratitude for the simple yet
profound happiness he experiences with Sara. The quiet moments they share in
their peaceful cottage, surrounded by nature’s beauty, bring him a deep sense
of joy and love. The poem ultimately celebrates the harmony between human
emotions and the natural world, as well as the poet’s appreciation for the
companionship of his beloved wife.
Analysis
Introduction
"Composed
at Clevedon, Somersetshire" is a deeply personal and romantic poem written
by Samuel Taylor Coleridge, expressing his love and contentment in the presence
of his wife, Sara. The poem is set in Clevedon, a coastal town in Somerset, where
Coleridge and Sara briefly lived after their marriage in 1795. It reflects his
joy in domestic life and appreciation of nature, blending themes of love,
peace, and the beauty of the natural world.
1.
Romantic Idealization of Domestic Bliss
The
poem opens with an intimate image of Coleridge and his wife sitting together:
"My
pensive Sara, thy soft cheek reclined
Thus
on mine arm, most soothing sweet it is"
Here,
Coleridge conveys a deep emotional bond between him and Sara. The use of the
adjective pensive suggests that Sara is lost in thought, while soft cheek
reclined highlights a tender, affectionate moment. The phrase soothing sweet
conveys both physical comfort and emotional contentment.
He
further describes their home as a cottage covered with jasmine and myrtle:
"To
sit beside our cot, our cot o’ergrown
With
white-flowered jasmine and the broad-leaved myrtle
(Meet
emblems they of innocence and love)"
The
jasmine and myrtle are not just decorative elements but serve as symbolic
representations of their love. Jasmine is often associated with purity and
beauty, while myrtle symbolizes marital love and fidelity. By calling them meet
emblems (meaning appropriate symbols), Coleridge reinforces the idea that their
love is natural and untainted.
2.
Nature as a Source of Tranquility
Coleridge,
as a Romantic poet, deeply valued nature, and in this poem, he portrays it as a
source of peace and spiritual fulfillment. He shifts from describing his
domestic happiness to painting a vivid picture of the landscape around him:
"And
watch the clouds that late were rich with light
Slow
sad’ning round, and mark the star of eve
Serenely
brilliant (such should wisdom be)"
Here,
he observes the transformation of the sky as evening approaches. The clouds,
once glowing with the sunset, now darken, symbolizing the passage of time and
the quiet arrival of night. The star of eve (likely referring to Venus, the
evening star) remains bright and unchanging, which he likens to wisdom—steady,
guiding, and pure.
His
use of light and darkness is significant. The fading light suggests the
transitory nature of life, yet the presence of the evening star offers a
reassuring sense of constancy and peace. This reflects the Romantic belief in
finding stability and meaning in nature.
3.
Contrast Between the Human World and Nature’s Eternity
As
the poem progresses, Coleridge contrasts the ever-changing aspects of human
life with the eternal and unchanging elements of nature. He listens to the
waves of the sea and notes their calming effect:
"So
hush’d the waves on quiet England’s shore!"
This
line conveys a sense of security and peace. The phrase quiet England’s shore
suggests not only the stillness of the sea but also a larger sense of belonging
and comfort within his homeland.
Coleridge’s
description of nature extends beyond mere admiration; he finds personal meaning
and solace in it. The sea, the sky, and the stars serve as reminders of life’s
continuity, offering him a form of emotional and philosophical anchoring.
4. A
Meditative and Spiritual Tone
The
poem takes on a meditative quality as Coleridge contemplates the deeper
significance of his surroundings. His language becomes reflective, inviting the
reader to pause and share in his appreciation of the present moment.
The
tranquility of the scene, with the soft sounds of nature and the gentle
presence of his wife, creates a mood of spiritual contentment. Unlike some of
Coleridge’s other poems that deal with supernatural themes (The Rime of the
Ancient Mariner), this poem is grounded in real-life experiences, celebrating
simple, everyday joys.
5.
Love and Contentment in Simplicity
One
of the most striking aspects of this poem is its deep sense of gratitude for
life’s simple pleasures. There is no mention of grand ambitions or external
achievements—only the joy of being with a loved one in a peaceful, natural
setting.
This
aligns with the Romantic ideal that true happiness is found in personal
relationships and a harmonious connection with nature. Coleridge’s contentment
does not stem from wealth or status but from love, companionship, and the
beauty of the world around him.
Conclusion:
The Poem as a Romantic Manifestation
"Composed
at Clevedon, Somersetshire" is a perfect example of
Romantic poetry, emphasizing:
Emotional
depth and personal experience (expressing love for Sara)
A
deep connection with nature (the sea, the sky, the evening star)
A
meditative and reflective tone (finding meaning in simplicity)
The
celebration of domestic life (happiness in the small joys of married life)
Unlike
some of Coleridge’s more complex and imaginative works, this poem is
straightforward, gentle, and filled with gratitude. It serves as a beautiful
reflection on the poet’s personal happiness and his belief in the power of love
and nature to provide peace and fulfillment.
Critical
Evaluation
1. A
Personal and Intimate Poem
Unlike
some of Coleridge’s more famous works—such as The Rime of the Ancient Mariner
and Kubla Khan, which explore supernatural and dreamlike themes—this poem is
strikingly personal and grounded in reality. It offers a rare glimpse into
Coleridge’s domestic happiness, written shortly after his marriage to Sara. The
poem celebrates the simple joys of love and companionship, making it one of his
most tender and heartfelt compositions.
While
Coleridge is often known for his philosophical depth and exploration of the
human psyche, here he presents a more immediate, sentimental, and direct
expression of contentment. This simplicity, however, does not diminish the
poem’s artistic merit but rather enhances its sincerity.
2.
Romanticism and the Power of Nature
As a
leading figure of the Romantic movement, Coleridge’s emphasis on nature as a
source of beauty, tranquility, and emotional fulfillment is evident throughout
the poem. The depiction of the evening sky, the sea, and the quiet English
countryside aligns with the Romantic ideal of nature as a sanctuary for the
human soul.
However,
unlike Wordsworth—who often found deep spiritual meaning in nature—Coleridge in
this poem presents nature as a backdrop to his personal happiness rather than
as a force that transforms the self. The natural elements serve to amplify his
feelings of love and peace, but they do not dominate the poem’s central theme.
This sets the poem apart from some of the more philosophical Romantic nature
poetry.
3.
Use of Symbolism
Coleridge
subtly employs symbolism throughout the poem to deepen its meaning:
Jasmine
and Myrtle – Represent innocence and love, symbolizing the purity of
Coleridge’s marriage.
The
Evening Star (Venus) – A symbol of wisdom and constancy, representing the
stability and enduring nature of love.
The
Setting Sun and Darkening Clouds – These may hint at the passage of time and
life’s fleeting nature, though they are not used in a melancholic way.
This
use of symbolism adds layers of meaning to what might otherwise be seen as a
straightforward romantic poem.
4.
Language and Poetic Technique
Coleridge
employs a soft, flowing rhythm and a gentle, lyrical tone that matches the
peaceful mood of the poem. His choice of words—soft cheek reclined, soothing
sweet, hush’d waves—creates a sense of calm and tenderness. The repetition of
phrases like our cot reinforces the intimacy of the moment, emphasizing the
personal connection he feels with his wife and their home.
The
poem also displays a subtle interplay of light and dark imagery. The transition
from a bright sky to evening darkness mirrors the poet’s reflective mood, but
rather than signifying sadness, it suggests a peaceful acceptance of time’s
passage.
5.
Absence of Conflict or Struggle
One
of the most notable aspects of this poem is its lack of conflict. Many of
Coleridge’s other works grapple with deep philosophical questions, supernatural
elements, or inner turmoil. In contrast, this poem is entirely free of tension.
There is no longing, loss, or struggle—only contentment.
For
some critics, this absence of tension makes the poem less complex compared to
his other works. However, others argue that its strength lies in its sincerity
and ability to capture a fleeting moment of pure happiness.
6.
Comparison with Other Romantic Poets
This
poem can be compared with the works of other Romantic poets:
William
Wordsworth – Wordsworth often wrote about nature’s impact on the human soul.
His poem Tintern Abbey, for example, explores how nature shapes and influences
human thought over time. In contrast, Coleridge’s Composed at Clevedon does not
explore nature’s deeper impact but rather presents it as a peaceful setting for
his happiness.
John
Keats – Keats often focused on the beauty of transient moments, as seen in To
Autumn. Coleridge’s poem shares this appreciation for fleeting beauty but does
not carry Keats’ melancholic awareness of time’s passage.
Lord
Byron & Percy Bysshe Shelley – Both poets infused their works with strong
emotions and themes of rebellion. Coleridge’s poem is much more subdued,
focusing on personal joy rather than dramatic intensity.
Thus,
Composed at Clevedon represents a quieter, more personal side of Romanticism.
7. A
Reflection of Coleridge’s Life and Later Irony
The
poem reflects a moment of bliss in Coleridge’s early married life. However, in
later years, his relationship with Sara deteriorated due to his struggles with
opium addiction, financial difficulties, and intellectual differences.
Eventually, they grew distant, and Coleridge lived separately from her.
This
knowledge adds an ironic layer to the poem. What was once a sincere declaration
of happiness later became a lost ideal. Some critics argue that this gives the
poem an unintentional poignancy—it captures a moment of joy that, in hindsight,
was not destined to last.
Strengths
and Weaknesses
Strengths:
A
deeply personal and tender expression of love
Beautiful
and tranquil imagery of nature
A
fine example of Romantic poetry’s appreciation of simplicity and domestic joy
A
soothing, harmonious rhythm and tone
Weaknesses:
Lacks
the complexity and depth of Coleridge’s major works
Does
not explore nature’s transformative power as deeply as Wordsworth’s poetry
The
absence of conflict makes it less dynamic compared to other Romantic poems
Conclusion
"Composed
at Clevedon, Somersetshire" is a gentle and heartfelt poem that captures a
moment of pure happiness in Coleridge’s life. While it lacks the depth and
complexity of his greater works, its strength lies in its simplicity,
sincerity, and celebration of love and nature. The poem exemplifies the
Romantic ideal of finding contentment in nature and personal relationships,
making it a valuable piece in Coleridge’s body of work.
However,
when viewed in the context of Coleridge’s later struggles, it also serves as a
bittersweet reminder of the fleeting nature of happiness. While it may not be
as intellectually profound as Kubla Khan or as narratively compelling as The
Rime of the Ancient Mariner, it remains a beautifully composed reflection on
love, peace, and the quiet joys of life.
Comparison
of Composed at Clevedon, Somersetshire with Frost at Midnight By Samuel Taylor
Coleridge
Both
Composed at Clevedon, Somersetshire and Frost at Midnight reflect Coleridge’s
love for nature, his appreciation of tranquility, and his deep emotional
connections with loved ones. However, they differ significantly in tone, depth,
and philosophical outlook.
1.
Theme: Personal Happiness vs. Philosophical Reflection
Composed
at Clevedon, Somersetshire focuses on a single, fleeting moment of joy in
Coleridge’s life. The poet expresses his love for Sara and his appreciation of
the peaceful surroundings of their home. The poem is straightforward and
sentimental, celebrating love and nature in a simple, harmonious manner.
Frost
at Midnight, on the other hand, is a more introspective and philosophical poem.
It is addressed to Coleridge’s infant son, Hartley, and explores the poet’s
thoughts on childhood, nature, and education. Coleridge contrasts his own
lonely and restricted childhood with the free, nature-filled life he hopes for
his son.
2.
Setting: A Peaceful Home vs. A Quiet Night of Reflection
In
Composed at Clevedon, Coleridge sits outside his cottage with his wife,
observing the evening sky and the calm sea. The setting is one of domestic
bliss and natural beauty, with jasmine and myrtle symbolizing purity and love.
In
Frost at Midnight, the setting is much more still and eerie. The poet sits
alone at night, watching the frost settle outside while his child sleeps. The
poem creates an atmosphere of solitude and quiet contemplation, contrasting
with the warmth and companionship in Composed at Clevedon.
3.
Mood: Joyful vs. Meditative
The
mood of Composed at Clevedon is serene and joyful, free of anxiety or deep
philosophical questioning. Coleridge is fully immersed in the present moment,
embracing love and nature without overanalyzing them.
Frost
at Midnight, however, has a meditative and nostalgic tone. The poet reflects on
his past, contemplates the power of nature, and envisions a hopeful future for
his son. There is an undercurrent of longing and regret in this poem, which is
absent in Composed at Clevedon.
4.
Nature’s Role: Backdrop for Love vs. Source of Spiritual Growth
In
Composed at Clevedon, nature serves as a complement to human happiness. The
peaceful sea, the evening star, and the jasmine-covered cottage enhance
Coleridge’s feelings of contentment.
In
Frost at Midnight, nature is seen as a force that shapes the human soul.
Coleridge believes that growing up in harmony with nature will allow his son to
develop wisdom, spiritual depth, and inner peace. He presents nature as a kind
of divine teacher, much like Wordsworth does in Tintern Abbey.
5.
Symbolism: Simple Domestic Symbols vs. Deep Metaphysical Symbols
In
Composed at Clevedon, the jasmine and myrtle symbolize innocence and love,
while the evening star represents wisdom and constancy. These symbols are
straightforward and tied to domestic life.
In
Frost at Midnight, the “film” of fire (a thin layer of soot moving on the
grate) is a powerful symbol of the poet’s thoughts, representing his dreams and
uncertainties. The frost itself symbolizes the quiet presence of nature, which
watches over both the poet and his sleeping child. These symbols have deeper
philosophical meanings than those in Composed at Clevedon.
6.
The Role of Loved Ones: Romantic Love vs. Paternal Love
Composed
at Clevedon is centered around Coleridge’s romantic love for Sara. She is
physically present, resting her cheek on his arm, making the moment tangible
and emotionally warm.
Frost
at Midnight is about paternal love for his infant son, who is asleep and
unaware of the poet’s thoughts. The poem is filled with hopes for the future,
showing Coleridge’s concerns as a father.
7.
Structure and Poetic Style
Composed
at Clevedon has a regular, gentle rhythm, mirroring its calm and peaceful
subject matter. The language is simple and melodic, creating an intimate,
soothing effect.
Frost
at Midnight follows a more fluid and meditative structure, using blank verse
(unrhymed iambic pentameter). The poem moves through different thoughts and
reflections, making it less structured but more profound in its philosophical
exploration.
Conclusion:
Two Sides of Coleridge’s Poetry
While
both poems showcase Coleridge’s appreciation for nature and love, they
highlight different aspects of his poetic personality:
Composed
at Clevedon presents a simple, romantic, and momentary joy, reflecting
Coleridge’s happiness in love and nature.
Frost
at Midnight is introspective and philosophical, reflecting on childhood,
nature’s power, and a hopeful future.
This
comparison shows that Coleridge was not just a poet of supernatural and
imaginative themes (Kubla Khan, The Rime of the Ancient Mariner), but also a
poet who deeply valued human emotions, personal relationships, and the
spiritual aspects of nature.
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