Chandalika by Rabindranath Tagore (Rising Action-Climax-Falling Action)

 

Chandalika

by Rabindranath Tagore

(Rising Action-Climax-Falling Action) 

Rising Action

The rising action of the play Chandalika is the series of events that lead to the climax. It begins with Prakriti, an untouchable woman, meeting Ananda, a Buddhist monk. Ananda is kind and compassionate, and he does not judge Prakriti for her caste. This challenges Prakriti's belief that she is worthless and unlovable.

The rising action continues as Prakriti and Ananda spend more time together. They learn to trust and love each other, and they begin to dream of a day when everyone will be treated equally, regardless of their caste.

The climax of the play occurs when Prakriti is forced to choose between her love for Ananda and her fear of the caste system. She ultimately chooses her love for Ananda, and she breaks the taboo against untouchables touching water by giving him water to drink. This act of defiance is a turning point for Prakriti, and it symbolizes her growing self-confidence and her willingness to challenge the caste system.

The rising action of the play leads to the climax by setting up the conflict between Prakriti's love for Ananda and her fear of the caste system. The conflict is resolved in the climax, when Prakriti chooses her love for Ananda. This resolution leads to the falling action of the play, which is the series of events that follow the climax.

The specific events that constitute the rising action of the play Chandalika:

Prakriti meets Ananda and is initially hesitant to help him because she is afraid of being polluted by him.

Ananda convinces Prakriti to give him water to drink, breaking the taboo against untouchables touching water.

Prakriti and Ananda spend more time together and begin to fall in love.

Prakriti's family and friends learn of her relationship with Ananda and disapprove.

Prakriti is forced to choose between her love for Ananda and her fear of the caste system.

The rising action of the play builds suspense and tension, leading to the climactic moment when Prakriti chooses her love for Ananda. This moment is a turning point in the play, and it sets the stage for the falling action.

Climax

The climax of the play Chandalika is the moment when Prakriti, an untouchable woman, chooses her love for Ananda, a Buddhist monk, over her fear of the caste system. She does this by giving him water to drink, breaking the taboo against untouchables touching water. This act of defiance is a turning point for Prakriti, and it symbolizes her growing self-confidence and her willingness to challenge the caste system.

The climax of the play is a pivotal moment because it is the point at which the conflict between Prakriti's love for Ananda and her fear of the caste system is resolved. Prakriti's choice to love Ananda is a rejection of the caste system and a affirmation of her own worth and dignity. It is also a sign of hope for the future, as it suggests that love can overcome even the most entrenched social divisions.

The climax of the play is also significant because it is the moment at which Prakriti's character undergoes a significant transformation. She is no longer the timid and self-doubting woman she was at the beginning of the play. She is now a strong and confident woman who is willing to stand up for what she believes in.

The climax of the play is a powerful and moving moment that highlights the importance of love, compassion, and courage. It is a reminder that we should never give up on our dreams, no matter how difficult they may seem.

Falling Action

The falling action of the play Chandalika is the series of events that follow the climax. It begins with Prakriti being ostracized by her community for her relationship with Ananda. She is forced to leave her home and live in exile.

The falling action continues as Prakriti and Ananda struggle to find a place where they can be together. They are met with hostility and prejudice wherever they go. However, they never give up hope, and they continue to fight for their love.

The falling action of the play ends with Prakriti and Ananda finding a new home in a community that accepts them for who they are. This is a happy ending, but it is also a realistic one. The play acknowledges that the fight against caste discrimination is not easy, but it also shows that it is possible to overcome.

The specific events that constitute the falling action of the play Chandalika:

Prakriti is ostracized by her community for her relationship with Ananda.

Prakriti and Ananda are forced to leave their home and live in exile.

Prakriti and Ananda struggle to find a place where they can be together.

They are met with hostility and prejudice wherever they go.

Prakriti and Ananda never give up hope, and they continue to fight for their love.

Prakriti and Ananda find a new home in a community that accepts them for who they are.

The falling action of the play brings the story to a close and resolves the conflict that was set up in the rising action. It is a hopeful ending, but it also leaves the door open for further exploration of the themes of the play.