A Fountain, a Bottle, a Donkey’s Ears, and Some Books
by
Robert Frost
(Poem)
A Fountain, a Bottle, a Donkey’s Ears, and Some Books
Old
Davis owned a solid mica mountain
In
Dalton that would someday make his fortune.
There’d
been some Boston people out to see it:
And
experts said that deep down in the mountain
The
mica sheets were big as plate-glass windows.
He’d
like to take me there and show it to me.
'I’ll
tell you what you show me. You remember
You
said you knew the place where once, on Kinsman,
The
early Mormons made a settlement
And
built a stone baptismal font outdoors–
But
Smith, or someone, called them off the mountain
To
go West to a worse fight with the desert.
You
said you’d seen the stone baptismal font.
Well,
take me there.'
Someday
I will.'
‘Today.’
'Huh,
that old bathtub, what is that to see?
Let’s
talk about it.'
'Let’s
go see the place.'
'To
shut you up I’ll tell you what I’ll do:
I’ll
find that fountain if it takes all summer,
And
both of our united strengths, to do it.'
'You’ve
lost it, then?'
'Not
so but I can find it.
No
doubt it’s grown up some to woods around it.
The
mountain may have shifted since I saw it
In
eighty-five.'
‘As
long ago as that?’
'If
I remember rightly, it had sprung
A
leak and emptied then. And forty years
Can
do a good deal to bad masonry.
You
won’t see any Mormon swimming in it.
But
you have said it, and we’re off to find it.
Old
as I am, I’m going to let myself
Be
dragged by you all over everywhere– ‘
’I
thought you were a guide.'
'I
am a guide,
And
that’s why I can’t decently refuse you.'
We
made a day of it out of the world,
Ascending
to descend to reascend.
The
old man seriously took his bearings,
And
spoke his doubts in every open place.
We
came out on a look-off where we faced
A
cliff, and on the cliff a bottle painted,
Or
stained by vegetation from above,
A
likeness to surprise the thrilly tourist.
'Well,
if I haven’t brought you to the fountain,
At
least I’ve brought you to the famous Bottle.'
'I
won’t accept the substitute. It’s empty.'
'So’s
everything.'
‘I
want my fountain.’
'I
guess you’d find the fountain just as empty.
And
anyway this tells me where I am.'
'Hadn’t
you long suspected where you were?'
'You
mean miles from that Mormon settlement?
Look
here, you treat your guide with due respect
If
you don’t want to spend the night outdoors.
I
vow we must be near the place from where
The
two converging slides, the avalanches,
On
Marshall, look like donkey’s ears.
We
may as well see that and save the day.'
'Don’t
donkey’s ears suggest we shake our own?'
'For
God’s sake, aren’t you fond of viewing nature?
You
don’t like nature. All you like is books.
What
signify a donkey’s cars and bottle,
However
natural? Give you your books!
Well
then, right here is where I show you books.
Come
straight down off this mountain just as fast
As
we can fall and keep a-bouncing on our feet.
It’s
hell for knees unless done hell-for-leather.'
Be
ready, I thought, for almost anything.
We
struck a road I didn’t recognize,
But
welcomed for the chance to lave my shoes
In
dust once more. We followed this a mile,
Perhaps,
to where it ended at a house
I
didn’t know was there. It was the kind
To
bring me to for broad-board paneling.
I
never saw so good a house deserted.
‘Excuse
me if I ask you in a window
That
happens to be broken, Davis said.
’The
outside doors as yet have held against us.
I
want to introduce you to the people
Who
used to live here. They were Robinsons.
You
must have heard of Clara Robinson,
The
poetess who wrote the book of verses
And
had it published. It was all about
The
posies on her inner windowsill,
And
the birds on her outer windowsill,
And
how she tended both, or had them tended:
She
never tended anything herself.
She
was 'shut in’ for life. She lived her whole
Life
long in bed, and wrote her things in bed.
I’ll
show You how she had her sills extended
To
entertain the birds and hold the flowers.
Our
business first’s up attic with her books.'
We trod
uncomfortably on crunching glass
Through
a house stripped of everything
Except,
it seemed, the poetess’s poems.
Books,
I should say!- if books are what is needed.
A
whole edition in a packing case
That,
overflowing like a horn of plenty,
Or
like the poetess’s heart of love,
Had
spilled them near the window, toward the light
Where
driven rain had wet and swollen them.
Enough
to stock a village library–
Unfortunately
all of one kind, though.
They
bad been brought home from some publisher
And
taken thus into the family.
Boys
and bad hunters had known what to do
With
stone and lead to unprotected glass:
Shatter
it inward on the unswept floors.
How
had the tender verse escaped their outrage?
By
being invisible for what it was,
Or
else by some remoteness that defied them
To
find out what to do to hurt a poem.
Yet
oh! the tempting flatness of a book,
To
send it sailing out the attic window
Till
it caught wind and, opening out its covers,
Tried
to improve on sailing like a tile
By
flying like a bird (silent in flight,
But
all the burden of its body song),
Only
to tumble like a stricken bird,
And
lie in stones and bushes unretrieved.
Books
were not thrown irreverently about.
They
simply lay where someone now and then,
Having
tried one, had dropped it at his feet
And
left it lying where it fell rejected.
Here
were all those the poetess’s life
Had
been too short to sell or give away.
‘Take
one,’ Old Davis bade me graciously.
‘Why
not take two or three?’
‘Take
all you want.’
Good-looking
books like that.' He picked one fresh
In
virgin wrapper from deep in the box,
And
stroked it with a horny-handed kindness.
He
read in one and I read in another,
Both
either looking for or finding something.
The
attic wasps went missing by like bullets.
I
was soon satisfied for the time being.
All
the way home I kept remembering
The
small book in my pocket. It was there.
The
poetess had sighed, I knew, in heaven
At
having eased her heart of one more copy–
Legitimately.
My demand upon her,
Though
slight, was a demand. She felt the tug.
In
time she would be rid of all her books.
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