Coolie
by
Mulk Raj Anand
(Summary)
Coolie, by Mulk Raj Anand, was first published
in 1936 and established Anand as one of the foremost Anglophone Indian writers
of his day. Like much of his other work, this novel is concerned with the
consequences of British Rule in India and with the rigid caste system that
structured Indian society. Coolie is a term for an unskilled laborer. Anand’s novel tells the story of Munoo, a
young boy from the Kangra Hills in Bilaspur. He is an orphan who lives with his
aunt and uncle; however, early in the novel they reveal they can no longer
support Munoo and insist that he get a job. This is the beginning of a journey
that will take Munoo to Bombay and beyond, but it also marks the end of his
childhood.
With
his uncle, Munoo travels to a nearby town where he finds a job as a servant to
a bank clerk, Babu Nathoo Ram. Munoo is mistreated by his master’s wife but he
admires his master‘s younger brother, Prem Chand, who is a doctor. Babu Nathoo
Ram himself is something of a caricature; a typical example of a Middle-Class
Anglophile who has internalized the values of the colonizer and firmly believes
in the supremacy of white people. A great fuss is made when the aptly named Mr.
English visits the bank where Babu Nathoo Ram works, but Anand uses this
episode to undercut the apparent superiority of the English. When Prem Chand
enquires about the best place in Britain to further his medical training, it is
revealed that Mr. English is uneducated and doesn’t know.
After accidentally injuring Sheila, Babu Nathoo Ram’s daughter, Munoo is beaten and decides to run away. He makes it as far as Daultapur, where he is taken in by Prabha, who runs a pickle factory. Prabha and his wife are kind to Munoo, although the work is hard. Throughout the novel, Anand points to the way the lower classes are exploited by those above them, with Munoo being the ultimate example of this exploitation. Here, he shows how Prabha must appease his neighbor, the Public Prosecutor Sir Todar Mal, with free pickles and jam to prevent him having the factory shut down because the smoke irritates him. Ultimately, however, it is Prabha’s own business partner, Ganpat, who cheats him and leaves him bankrupt, suggesting a lack of class consciousness or solidarity.
When
Prabha loses the factory, Munoo is left to fend for himself once again. He
meets an elephant driver who is travelling to Bombay with a circus and decides
to join them. At first, Munoo is delighted with Bombay, but he soon realizes
that, even here, ―coolies must sleep on the streets. He finds work at Sir
George White’s
cotton mill where he meets Ratan, a man he comes to idolize. Ratan is a
wrestler and a member of the worker’s
union, a man who has chosen to fight his masters and reject the exploitative
conditions in which he labors. The optimistic possibility symbolized by Ratan
is short lived for Munoo, however, as a riot breaks out during a workers’
strike and he becomes lost.
While
wandering the streets, he is run over by Mrs. Mainwaring’s car. As
compensation, she hires him as a servant and takes him to Simla. Mrs.
Mainwaring offers insight into another dimension of Indian society. She has
English, as well as Indian, ancestry, and longs to be accepted by English
society. As a result, she travelled to England and married a young English
soldier. Her desire to be recognized as English can also be read as a desire to
be recognized as white, with all of the privileges that accompany whiteness in
colonial India, privileges that Munoo will never enjoy. Despite the kindness
that Mrs. Mainwaring shows him, Munoo contracts tuberculosis and dies, aged
just fifteen.
Coolie
is a devastating account of the poverty and exploitation faced, not just by
Munoo, but thousands like him. Anand shows how the racial and class hierarchies
imposed by British colonialism have intersected, or overlaid, the existing
caste system to make life impossible for ―coolies. Munoo has no real control
over his life; over the work he does or where he lives or how he is treated. As
he moves from one place to another in search of a job or a home, he moves from
one tragedy to another. In his travels and through the various people he meets
and is employed by, he is exposed to the multiplicity of life in India which is
made vivid by Anand’s prose. If the novel’s portrait of Munoo’s life raises
difficult questions about Indian society, Munoo’s death raises the question of
whether there can be any future for a ―coolie if nothing changes.
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